John thereafter told no other manager this, but learned instead the
value of a "front", and inserted in the professional columns of the _San
Francisco Dramatic Review_ a card which read:
+−−−−−−−−−−−−−−−−−−+
| |
| JOHN HAMPSTEAD |
| HEAVY |
| AT LIBERTY |
| |
+−−−−−−−−−−−−−−−−−−+
"Heavy" in theatrical parlance means the villain. Modestly confessing
himself not quite equal to "leads", though in his heart John scorned to
believe his own confession, he had announced himself as a "heavy."
This card appeared for three succeeding weeks, but on the fourth week
there was a significant change. It read:
+−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−+
| |
| JOHN HAMPSTEAD |
| HEAVY |
| With the People's Stock Company |
| |
+−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−+
The People’s Stock Company was new, a "ten-twenty-thirty" organization,
got together in a day for a season of doubtful length, in a huge barn of
a house that once had been the home of bucket-of-blood melodramas, but
for a long time had been given over to cobwebs and prize fights. The
promoters had little money. They spent most of it on new paint and
gorgeous, twelve-sheet posters. Everything was cheap and gaudy, but the
cheapest thing was the company—and the least gaudy.
The opening play was a blood-spiller with thrills guaranteed; the scene
was laid in Cuba at a period just preceding the Spanish-American War.
Hampstead’s part was a Spanish colonel, Delaro by name. Delaro was no
ordinary double-dyed villain. He was triple-dyed at the least, and
would kick up all the deviltry in the piece from the beginning to the
end; he would steal the fair Yankee maiden who had strayed ashore from
her father’s yacht; he would imprison her in an out-of-the-way fortress;
court her, taunt her, threaten her—and then when the audience was
wrought to the highest pitch of excitement and the last throb of pity
for her impending fate at the hands of this fiend in yellow uniform and
brass buttons, the galloping of horses would herald the appearance of
Lieutenant Bangster, U.S.N., lover of the maiden and hero of the play.
(The Navy on horseback!) A pitched battle would result, pistols,
rifles, cannon would be fired, the fortifications would be blown away,
and Old Glory go fluttering up the staff to the thundering applause of
the gods of the gallery.
Delaro was an enormous opportunity; but it was also an enormous
responsibility. John went into rehearsal haunted by fear that the
carefully guarded secret of his inexperience would be discovered,
knowing that instant humiliation and discharge would follow. He had
trudged, hoped, brazened, starved, prayed to get this part. He must not
lose it, and he must make good. The sweat of desperation oozed daily
from his pores.
Public-domain text, read in full here on John Shaqi.
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