"Oh, very well," weakened Hampstead, bowing his head, "I cannot brook
that gaze for long. It shall be as your Grace commands."
"Tired, aren’t you?" commented Bessie, suddenly mollified, and scanning
the big face narrowly, while a look of soberness came into her eyes. "I
can see it; and your eyes look bad—very bad, John." Her voice was
girlishly sympathetic. "These people do not appreciate you, either.
But I do! I know!" and she nodded her round chin stoutly, while she
laid a hand upon the arm of this man who, seven years her senior, was in
some respects her junior. "You are a very great man in the day of his
obscurity. It will come out some time. You will be General Manager of
the railroad, or something very, very big. Won’t you?" and she leaned
close again with that delightfully confidential whisper.
"I admit it," confessed John, with a happy chuckle.
But Bessie’s restless eye had fallen upon the clock. "Pickles and
artichokes!" she exclaimed, with a sudden change of mood, "I must flit."
Snatching from her bag a crumpled note, she tossed it on the desk,
calling back: "Here. This is what I want to say to ’em."
Hampstead sat for a moment looking after her, his lips parted, his great
hands set upon his knees with fingers sprawled very widely, until Bessie
was out of view behind the double doors that admitted to her father’s
presence.
*CHAPTER II*
*ONE MAN AND ANOTHER*
In the dusk of the early winter’s night in that land where winter hints
its presence but slightly in any other way, two children dashed out of a
rambling shell of a cottage that sprawled rather hopelessly over an
unkempt lot, screaming: "Uncle John! Uncle John!"
Roused from castled, starry dreams, the big stenographer, who had been
enjoying the feel of the dark upon his eyes, and the occasional happy
fragrance of orange blossoms in his nostrils, greeted each with a bear
hug, and the three clattered together up the rickety steps into a tiny
hall. On the left was an oblong room, and beyond it, through curtains,
appeared a table set for dinner. Light streaming in from this second
room revealed the first as a sort of parlor-studio, where a piano, a
lounge, easels, malsticks, palettes, and stacks of unframed canvases
jostled each other indifferently. An inspection would have shown that
these pictures were mostly landscapes, with now and then a flower study
in brilliant colors; and to the practised eye a distressing atmosphere
of failure would have obtruded from every one.
From somewhere beyond the dining room came the odor of cooking food, and
the sound of energetic but heavy footsteps.
"Hello, Rose," called John cheerily.
Public-domain text, read in full here on John Shaqi.
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