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HELEN OF THE OLD HOUSE
BY HAROLD BELL WRIGHT
1921
CONTENTS
BOOK ONE
THE INTERPRETER
CHAPTER
I. THE HUT ON THE CLIFF
II. LITTLE MAGGIE'S PRINCESS LADY
III. THE INTERPRETER
IV. PETER MARTIN AT HOME
V. ADAM WARD'S ESTATE
VI. ON THE OLD ROAD
VII. THE HIDDEN THING
VIII. WHILE THE PEOPLE SLEEP
IX. THE MILL
X. CONCERNING THE NEW MANAGER
XI. COMRADES
XII. TWO SIDES OF A QUESTION
BOOK TWO
THE TWO HELENS
XIII. THE AWAKENING
XIV. THE WAY BACK
XV. AT THE OLD HOUSE
XVI. HER OWN PEOPLE
XVII. IN THE NIGHT
BOOK THREE
THE STRIKE
XVIII. THE GATHERING STORM
XIX. ADAM WARD'S WORK
XX. THE PEOPLE'S AMERICA
XXI. PETER MARTIN'S PROBLEM
XXII. OLD FRIENDS
XXIII. A LAST CHANCE
XXIV. THE FLATS
XXV. McIVER's OPPORTUNITY
XXVI. AT THE CALL OF THE WHISTLE
XXVII. JAKE VODELL'S MISTAKE
XXVIII. THE MOB AND THE MILL
XXIX. CONTRACTS
BOOK FOUR
THE OLD HOUSE
XXX. "JEST LIKE THE INTERPRETER SAID"
BOOK I
THE INTERPRETER
"_Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields_."
CHAPTER I
THE HUT ON THE CLIFF
No well informed resident of Millsburgh, when referring to the
principal industry of his little manufacturing city, ever says "the
mills"--it is always "the Mill."
The reason for this common habit of mind is that one mill so
overshadows all others, and so dominates the industrial and civic life
of this community, that in the people's thought it stands for all.
The philosopher who keeps the cigar stand on the corner of Congress
Street and Ward Avenue explained it very clearly when he answered an
inquiring stranger, "You just can't think Millsburgh without thinkin'
mills; an' you can't think mills without thinkin' _the_ Mill."
As he turned from the cash register to throw his customer's change on
the scratched top of the glass show case, the philosopher added with a
grin that was a curious blend of admiration, contempt and envy, "An'
you just can't think the Mill without thinkin' Adam Ward."
That grin was another distinguishing mark of the well informed resident
of Millsburgh. Always, in those days, when the citizens mentioned the
owner of the Mill, their faces took on that curious half-laughing
expression of mingled admiration, contempt and envy.
But it has come to pass that in these days when the people speak of
Adam Ward they do not smile. When they speak of Adam Ward's daughter,
Helen, they smile, indeed, but with quite a different meaning.
The history of Millsburgh is not essentially different from that of a
thousand other cities of its class.
Public-domain text, read in full here on John Shaqi.
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