"Everybody tells me I should see you," the agitator continued.
"Everywhere it is the same. They all talk of the Interpreter. 'Go to
the Interpreter,' they say. When they told me that this great
Interpreter is an old white-headed fellow without any legs, I laughed
and said, 'What can he do to help the laboring man? He is not good for
anything but to sit in a wheel chair and make baskets all the day. I
need _men_.' But they all answer the same thing, 'Go and see the
Interpreter.' And so I am here."
When the Interpreter was silent, his guest demanded, harshly, "They are
all right, heh? You are a friend to the workingman? Tell me, is it so?"
The old basket maker spoke with quiet dignity. "For twenty-five years
Millsburgh has been my home, and the Millsburgh people have been my
friends. You, sir, have been here less than a month; I have known you
but a few minutes."
Jake Vodell laughed understandingly. "Oh-ho, so that is it? Maybe you
like to see my credentials before we talk?"
The Interpreter held up a hand in protest. "Your reputation is
sufficient, Mr. Vodell."
The man acknowledged the compliment--as he construed it--with a shrug
and a pleased laugh. "And all that is said of you by the laboring class
in your little city is sufficient," he returned. "Even the men in
McIver's factory tell me you are the best friend that labor has ever
had in this place." He paused expectantly.
The man in the wheel chair bowed his head.
"And then," continued Jake Vodell, with a frown of displeasure, "when I
come to see you, to ask some questions about things that I should know,
what do I hear? The daughter of this old slave-driver and robber--this
capitalist enemy of the laboring class--Adam Ward, she comes also to
see this Interpreter who is such a friend of the people."
The Interpreter laughed. "And Sam Whaley's children, they come too."
"Oh, yes, that is better. I know Sam Whaley. He is a good man who will
be a great help to me. But I do not understand this woman business."
"I have known Miss Ward ever since she was born; I worked in the Mill
at the same bench with her father and Peter Martin," said the man in
the wheel chair, with quiet dignity.
"I see. It is not so bad sometimes to have a friend or two among these
millionaires when there is no danger of it being misunderstood. But
this man, who was once a workman and who deserted his class--this
traitor, her father--does he also call on you, Mr. Interpreter?"
"Once in a great while," answered the Interpreter.
Jake Vodell laughed knowingly. "When he wants something, heh?" Then,
with an air of taking up the real business of his visit to the little
hut on the cliff, he said, "Suppose now you tell me something about
this son of Adam Ward. You have known him since he was a boy too--the
same as the girl?"
"Yes," said the Interpreter, "I have known John Ward all his life."
Public-domain text, read in full here on John Shaqi.
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