They were facing hungrily toward an open door that led, evidently, to
the kitchen, when a deep voice from somewhere behind them said, "How do
you do?"
Startled nearly out of their small wits, the adventurers whirled to
escape, but the voice halted them with, "Don't go. You came to see me,
didn't you?"
The voice, though so deep and strong, was unmistakably kind and
gentle--quite the gentlest voice, in fact, that these children had ever
heard.
Hesitatingly, they went again into the room, and now, turning their
backs upon the culinary end of the apartment, they saw, through the
doorway opening on to the balcony porch, a man seated in a wheel chair.
In his lap he held a half-finished basket.
For a little while the man regarded them with grave, smiling eyes as
though, understanding their fears, he would give them time to gain
courage. Then he said, gently, "Won't you come out here on the porch
and visit with me?"
The boy and the girl exchanged questioning looks.
"Come on," said the man, encouragingly.
Perhaps the sight of that wheel chair recalled to the boy's mind the
reports of his friends, Skinny and Chuck. Perhaps it was something in
the man himself that appealed to the unerring instincts of the child.
The doubt and hesitation in the urchin's freckled face suddenly gave
way to a look of reckless daring and he marched forward with the
swaggering air of an infant bravado. Shyly the little girl followed.
Invariably one's first impression of that man in the wheel chair was a
thought of the tremendous physical strength and vitality that must once
have been his. But the great trunk, with its mighty shoulders and
massive arms, that in the years past had marked him in the multitude,
was little more than a framework now. His head with its silvery white
hair and beard--save that in his countenance there was a look of more
venerable age--reminded one of the sculptor Rodin. These details of the
man's physical appearance held one's thoughts but for a moment. One
look into the calm depths of those dark eyes that were filled with such
an indescribable mingling of pathetic courage, of patient fortitude,
and of sorrowful authority, and one so instantly felt the dominant
spiritual and mental personality of this man that all else about him
was forgotten.
Squaring himself before his host, the boy said, aggressively, "I know
who _yer_ are. Yer are the Interpreter. I know 'cause yer ain't got no
legs."
"Yes," returned the old basket maker, still smiling, "I am the
Interpreter. At least," he continued, "that is what the people call
me." Then, as he regarded the general appearance of the children, and
noted particularly the tired face and pathetic eyes of the little girl,
his smile was lost in a look of brooding sorrow and his deep voice was
sad and gentle, as he added, "But some things I find very hard to
interpret."
The girl, with a shy smile, went a little nearer.
Public-domain text, read in full here on John Shaqi.
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