At the breakfast table Toddie wept again, because I insisted on
beginning operations before Budge came. Then neither boy knew exactly
what he wanted. Then Budge managed to upset the contents of his plate
into his lap, and while I was helping him to clear away the débris,
Toddie improved the opportunity to pour his milk upon his fish and put
several spoonfuls of oatmeal porridge into my coffee-cup. I made an
early excuse to leave the table and turn the children over to Maggie.
I felt as tired as if I had done a hard day’s work, and was somewhat
appalled at realizing that the day had barely begun. I lit a cigar and
sat down to Helen’s piano. I am not a musician, but even the chords of
a hand-organ would have seemed sweet music to me on that morning. The
music-book nearest to my hand was a church hymn-book, and the first
air my eye struck was “Greenville.” I lived once in a town, where,
on a single day, a peddler disposed of thirty-eight accordions, each
with an instruction-book in which this same air, under its original
name, was the only air. For years after, a single bar of this air
awakened the most melancholy reflections in my mind, but now I forgave
all my musical tormentors as the familiar strains came comfortingly
from the piano-keys. But suddenly I heard an accompaniment—a sort of
reedy sound—and looking round, I saw Toddie again in tears. I stopped
abruptly and asked:—
“What’s the matter _now_, Toddie?”
“Don’t want dat old tune; wantsh dancin’ tune, so I can dance.”
[Illustration: “WANTSH DANCIN’ TUNE”]
I promptly played “Yankee Doodle,” and Toddie began to trot around the
room with the expression of a man who intended to do his whole duty.
Then Budge appeared, hugging a bound volume of “St. Nicholas.” The
moment that Toddie espied this he stopped dancing and devoted himself
anew to the task of weeping.
“Toddie!” I shouted, springing from the piano stool, “what do you mean
by crying at everything? I shall have to put you to bed again if you’re
going to be such a baby.”
“That’s the way he _always_ does, rainy days,” exclaimed Budge.
“Wantsh to see the whay-al what fwallowed Djonah,” sobbed Toddie.
“Can’t you demand something that’s within the range of possibility,
Toddie?” I mildly asked.
“The whale Toddie means is in this big red book; I’ll find it for you,”
said Budge, turning over the leaves.
Suddenly a rejoicing squeal from Toddie announced that leviathan had
been found, and I hastened to gaze. He was certainly a dreadful-looking
animal, but he had an enormous mouth, which Toddie caressed with his
pudgy little hand, and kissed with tenderness, murmuring as he did so:—
“_Dee_ old whay-al, I loves you. Is Djonah all goneded out of you
’tomach, whay-al? I finks ’twas weal mean in Djonah to get froed up
when you hadn’t noffin’ else to eat, _poor_ old whay-al.”
Public-domain text, read in full here on John Shaqi.
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