Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669
The English alliance was very popular in Paris. It was remembered that if
the bridegroom was King of England and a heretic, he was also a Scotchman
born and the grandson of the much-loved Mary of Scotland, who, it was
said, was doubtless praying in heaven for his conversion. Another side of
the general satisfaction was expressed by poetic references to the union of
the sister of Mars with Neptune, the King of the Waves, which, it was
hoped, would bring about a happy state of things when
"toute la Terre
Soit aux François et Anglois."[15]
It is not surprising, therefore, that the early hours of the great day saw
the _parvis_ of Notre-Dame crowded with spectators waiting patiently under
the rain of an inclement May morning. The concourse was so great that the
neighbouring streets had to be secured by barriers and patrolled by the
Swiss Guard to make free passage for the coaches of the nobility which were
perpetually arriving at the doors of the cathedral to deposit their loads
of gaily dressed ladies.
Meanwhile, what of the bride for whom all this was prepared? She had spent
the previous day at her mother's favourite convent, that of the Carmelite
nuns whom Bérulle had "fetched out of Spain" to place in a house of the
Faubourg S. Jacques. There her mother's friend, Mother Magdeleine of S.
Joseph, gave her a great deal of advice, seasoned with much piety and some
judgment. Thence she returned to pass the night at the Louvre, and to spend
a quiet morning, until at about two o'clock on the afternoon of her
wedding-day she set out for the Archbishop's palace, which that dignitary,
in spite of his chagrin, had placed at the disposal of the wedding-party.
There in the fine old house overlooking the Seine, which two hundred years
later was to fall a victim to the fury of the Parisian mob,[16] Henrietta
spent several hours in putting on the same magnificent dress which she had
worn at her betrothal, so that five o'clock had already struck when her
brother the King came to fetch her that he might conduct her to the
cathedral.
The procession was drawn up. First came an officer known as the captain of
the gate, behind whom walked a hundred men of the King's Swiss Guard, drums
beating and banners flying. They were followed by the band, which was so
effective that while the hautbois ravished the ears of those who heard
them, the drums would have stirred the most faint-hearted to courage. As to
the trumpets, they made the hearts of the listeners leap for joy within
their bodies.
At last, after heralds, marshals, peers, and dukes, after the proxy
bridegroom and the Ambassadors from England, came the central figure of the
procession, the bride herself, supported by her two brothers, one of whom
was also her King.
Public-domain text, read in full here on John Shaqi.
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