Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669
After the formal greeting had been given to the guests at the gate of the
city by the mayor and aldermen, a ceremony took place specially designed in
compliment to the bride of the island King. Fifty young girls, all pretty
and some very beautiful, dressed up to represent the demi-goddesses of the
sea, came to hail Henrietta as Thetis, queen of the waves, sitting upon the
throne of her litter which had brought her from the banks of the Seine, and
to whom, in token of humble submission, they presented the keys of the
city. So great was the crush to see this sight that the gentleman to whom
we owe the story of the details of the day[23] was unable to get near
enough to hear the speeches of the marine goddesses. The crowds in the
streets were great, and as there were neither archers nor Swiss, as at
Paris, to range the people against the houses and to keep a clear passage,
the confusion was considerable; but it was not allowed to interfere with
the programme drawn up by the loyal people of Amiens. Henrietta saw not
only triumphal arches and columns in abundance, but also curious
allegorical ceremonies in the taste of the times. She beheld Jason, who,
after fighting with fire-breathing bulls, bore off triumphant the golden
fleece, and in whom she was to recognize an impersonation of her husband,
Charles of England. She listened to the hymeneal god, who, attended by
nymphs, stepped forward and, to the accompaniment of sweet music, sang a
wedding-song specially composed for the occasion. The last three verses,
notwithstanding their extravagance of compliment, are so fresh and charming
as to be worthy of the pretty bride to whom they were addressed.
"Mais que fais je par ces carmes
Vous arrestant en ces lieux
C'est que je suis pris aux charmes
Que vous avez dans les yeux.
"Allez, j'ay peur que vous-mesme
Nous emportiez votre coeur;
Vous portez un diademe
Soubs un front toujours vainquer.
"Ne demeurez, ie vieux suyvre
Mon coeur ne sera rétif,
C'est glorieusement vivre
Que d'estre en vos mains captif."[24]
Henrietta looked and smiled and listened. She was new to such honours, and
it was pleasant to be for the moment a greater person than her stern mother
or her stately sister-in-law. But the rejoicings were long-drawn-out, and
she must have been very weary before they culminated in a joyous _Te Deum_
sung in the cathedral, which, like Notre-Dame in Paris, had been disfigured
as much as possible with pictures and hangings. Nor even then were her
toils over. Long and dreary speeches awaited her, to which she had to
listen with some show of interest, before at last she could lie down to
rest.
Henrietta's innocent dreams were perhaps of Jason and the goddesses of the
sea; but there were those about her whose pillows were haunted by visions
of a very different character.
Public-domain text, read in full here on John Shaqi.
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