Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669
of a Protestant archbishop, was a Catholic and a citizen of the world whose
linguistic talents, which were much admired in continental circles, were
joined to a refined culture which rendered him a fitting intermediary
between these distinguished persons. Fortunately all his time was not taken
up by such duties, and he employed his leisure very profitably in writing a
long letter to a lady acquaintance, which contains the fullest account we
possess of Henrietta in her early youth before the cares of married life
had come upon her.
Sir Tobie's ready and subtle pen drew such a sketch of the young Queen as,
interpreted by the future, shows him to have been a keen analyst of
character. Henrietta had grown a good deal during the past year; and though
she was still small, "she sits," he wrote, "upon the very skirts of
womanhood." Her mind and character were as yet undeveloped; but in the
mingled gentleness and wit of her conversation, in the sweet courtesy shown
to her inferiors, in the faithful affection which clung to the mother she
had left, finally, in the courage and enterprise which, to the despair of
her attendants, tempted her to a sea-trip in an open boat with her brother
Gaston, we recognize the woman of later days, as in the girl of fifteen we
see the beautiful queen of Van Dyck's portraits. "Upon my faith," wrote the
worthy knight, giving utterance to a prophecy which unfortunately was not
completely fulfilled, "she is a most sweet, lively nature, and hath a
countenance which opens a window into her heart, where a man may see all
nobleness and goodness; and I dare venture my head (upon the little skill I
have in physiognomy) that she will be extraordinarily beloved by our nation
and deserve to be so, and that the actions of her life which are to be her
owne will be excellent."[28]
Public-domain text, read in full here on John Shaqi.
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