1710, Sir Henry's death frustrated his planned retirement in the Vale of Stour; although three years later, in 1713, his intentions regarding a Dorsetshire home for his daughter were carried out by the conveyance to her [3] and her children of the Stour estate, for her sole enjoyment. The legal documents are careful to recite that the rents and profits should be paid to Mrs Fielding or her children, and her receipt given, and that the said Edmund "should have nothing to do nor intermeddle therewith." In this settlement of the East Stour farms, to the greater part of which Henry Fielding, then six years old, would be joint heir with his sisters, Colonel Fielding himself seems to have had to pay no less than £1750, receiving therefor "a portion of the said lands." So by 1713 both Edmund Fielding and his wife were settled, as no inconsiderable landowners, among the pleasant meadows of Stour; and there for the next five years Henry's early childhood was passed. Indeed, Mrs Fielding must have been at Stour when her eldest son was but three years old, for the baptism of a daughter, Sarah, appears in the Stour registers in November 1710. This entry is followed by the baptism of Anne in 1713, of Beatrice in 1714, of Edmund in 1716, and by the death of Anne in the last-named year, Henry being then nine years old. According to Arthur Murphy, Fielding's earliest and too often inaccurate biographer, the boy received "the first rudiments of his education at home, under the care of the Revd. Mr Oliver." Mr Oliver was the curate of Motcombe, a neighbouring village; and we have the authority of Murphy and of Hutchins, the historian of Dorset, for finding 'a very humorous and striking portrait' of this pedagogue in the Rev. Mr Trulliber, the pig-breeding parson of _Joseph Andrews_. If this be so, Harry Fielding's first tutor at Stour was of a figure eminently calculated to foster the comic genius of his pupil. "He" (Trulliber), wrote that pupil, some thirty years later, "was indeed one of the largest Men you should see, and could have acted the part of Sir _John Falstaff_ without stuffing. Add to this, that the Rotundity of his Belly was considerably increased by the shortness of his Stature, his shadow ascending very near as far in height when he lay on his Back, as when he stood on his Legs. His Voice was loud and hoarse, and his Accents extremely broad; to complete the whole he had a Stateliness in his Gait when he walked, not unlike that of a Goose, only he stalked slower." It appears that the widow of the Motcombe curate denied the alleged portrait; but the house where Mr Oliver lived, "seemed to accord with Fielding's description ... and an old woman who remembered him observed that 'he dearly loved a bit of good victuals, and a drop of drink.'" Bearing in mind the great novelist's own earnest declaration that he painted "not men but manners," we may fairly assume that his Dorsetshire tutor belonged to that class of coarse farmer-parson so justly