Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd — John Shaqi
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
_The Weekly Voice of Sunbury_ was put to press every Friday evening, was
printed during that night, and appeared in the first mail on Saturday
mornings.
Friday, therefore, was the one distractingly busy day for Humphrey
Weaver. And it was natural enough that he should snatch at Henry's
pencilled report of the musicale at Mrs Henderson's with the briefest
word of greeting, and give his whole mind, blue copy-editing pencil
posed in air, to reading it. But he did note that the boy looked rather
haggard, as if he hadn't slept much. He heard his mumbled remark that
he had been over at the public library, writing the thing; and perhaps
wondered mildly and momentarily why the boy should be writing at the
library and not at home, and why he should speak of the fact at all.
And now and again during the day he was aware of Henry, pale, dog-eyed,
inclined to hang about as if confidences were trembling on his tongue.
And he was carrying a little olive-green book around; drew it from
his pocket every now and then and read or turned the pages with an
ostentatious air of concentration, as if he wanted to be noticed.
Humphrey decided to ask him what the trouble was; later, when the paper
was put away. When he might have spoken, old man Boice was there, at his
desk. And Humphrey never got out to meals on Fridays. Henry got all his
work in on time: the 'Real Estate Notes' for the week and the last items
for 'Along Simpson Street.'
The report of the musicale would have brought a smile or two on another
day. There was nearly a column of it. Henry had apparently been deeply
moved by the singing of Anne Mayer Stelton. He dwelt on the 'velvet
suavity' of her legato passages, her firmness of attack and the
'delicate lace work of her colourature.' 'Mme. Stelton's art,' he wrote,
'has deepened and broadened appreciably since she last appeared in
Sunbury. Always gifted with a splendid singing organ, always charming in
personality and profoundly rhythmically musical in temperament, she now
has added a superstructure of technical authority, which gives to each
passage, whether bravura or pianissimo, a quality and distinction seldom
heard in this country. Miss Corinne Doag also added immeasurably to
the pleasure of the select audience by singing a group of songs. Miss
Corinne Doag has a contralto voice of fine _verve_ and _timbre_. She is
a guest of Mrs Henderson, who herself accompanied delightfully. Among
those present were:--'
Henry's writing always startled you a little. Words fairly flowed
through his pencil, long words, striking words. He had the word sense;
this when writing. In speech he remained just about where he had been
all through his teens, loose of diction, slurring and eliding and using
slang as did most of the Middle-Westerners among whom he had always
lived, and, like them, swallowing his tongue down his throat.
Public-domain text, read in full here on John Shaqi.
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