Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rdMerwin, Samuel
General
Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd
Merwin, Samuel
Young men -- Fiction
His taste in reading was another matter. The novels and romances he had
devoured during certain periods of his teens had mostly come from the
Sunbury Free Public Library. Lately, however, apart from thrilling
moments with The Prisoner of Zenda, Under the Red Rose, and The Princess
Aline, he had found difficulty in reading at all. Something was stirring
within him, something restlessly positive, an impulse to give out rather
than take in. Though he had, at intervals, lunged with determination
at the Green and the Boswell. This effort, indeed, had been repeated so
many times that he occasionally caught himself speaking of these authors
as if he had read them exhaustively.
The bottom drawer of the bureau was a third full of unfinished
manuscripts--attempts at novels, short stories, poems, plays--each
faithfully reflecting its immediate source of inspiration. There were
paragraphs that might have been written by a little Dickens; there
were thinly diluted specimens of Dumas, Oliver Wendell Holmes, Richard
Harding Davis, Thackeray. The rest was all Kipling, prose and verse.
Everybody was writing Kipling then.
A step sounded in the hall. The knob turned softly; the door opened a
little way; and the thinnish, moderately pretty face of Mamie Wilcox
appeared--pale blue eyes with the beginnings of hollows beneath them,
fair skin, straight hay-coloured hair, wisps of it straying down across
forehead and cheek, thin nose, soft but rather sulky mouth. She was
probably twenty-two or twenty-three at this time.
All she said was, 'Oh!'--very low.
'Wonder you wouldn't knock!' said he.
'Wonder you wouldn't get up before noon!' she responded smartly, but
still in that cautious voice; then added, 'Here, I'll leave the towels,
and come back.' And she slipped into the room, a heavier and more
shapely figure of a girl than was suggested by the face, a girl in a
full-length gingham apron and little shoes with unexpectedly high heels;
not 'French' heels, but the sloping style known then as 'military.'
2
Henry's colour was rising a little. He cleared his throat, and said,
mumbling, 'Leave anything you like.'
'I'll do just that,'--she turned, with a flirt of her apron and stood,
between washstand and door, surveying him--'what I like, and nothing
more.'... Her eyes wandered now from him to the picture at the left of
the pincushion, then to the snapshots on the wall, and she smiled, very
self-contained, very knowing, with the expression that the young call
'sarcastic.' The adjective came to mind. Henry's colour was mounting
higher.
'Pretty snappy to-day, ain't we?' said he.
'Yes, when we're snapped at,' said she.
There was a silence that ran on into seconds and tens of seconds.
Then, acting on an impulse of astonishing suddenness, he sprang toward
her.
With almost equal agility she stepped away. But he caught one hand.
She had the door-knob in her other hand. She drew the door open, then,
indecisively, pushed it nearly to.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account