Authors, American -- 19th century -- Biography; James, Henry, 1843-1916
finely wrought descriptions of the leisured life make one feel as though
one sat in a beautiful old castle, granting its beauty but not pleased,
because one is a prisoner, while the small, mean story worries one like
a rat nibbling at the wainscot. One takes it as significant that the
unnamed host and hostess of the party never appear save to "give
signals." The tiny, desperate figures this phrase shows to the mind's
eye, semaphoring to each other across incredibly extended polished
vistas to keep up their courage under these looming, soaring vaults, may
be taken as symbols of the heart and intellect which Mr James had now
forgotten in his elaboration of their social envelope.
But with this method, as in every form of literary activity save only
playwriting, in which he was rather worse than Sidney Grundy in much the
same way, Mr James gained his radiant triumphs. There could be nothing
more trivial than the _donnee_ of _The Ambassadors_ (1903); there is no
dignity or significance in the situation of Lambert Strether, an
American who is engaged, in that odd way common to Mr James' characters,
to a woman whom he certainly does not love and hardly seems to like, and
goes at her bidding to Paris to cut her cubbish son clear from an
entanglement with a Frenchwoman. And yet so artfully is the tale
displayed in the setting of lovely, clean, white Paris and green France,
lifting her poplars into the serene strong light of the French sky, that
the reader holds his breath over the story of how Strether "had come
with a view that might have been figured by a clear, green liquid, say,
in a neat glass phial; and the liquid, once poured into the open cup of
_application_, once exposed to the action of another air, had begun to
turn from green to red, or whatever, and might, for all he knew, be on
its way to purple, to black, to yellow"; how, in fact, the old
"international situation" acted on the new generation of Americans. But
that book is not typical of this period, for it is singularly free from
those great sentences which sprawl over the pages of _The Golden Bowl_
with such an effect of rank vegetable growth that one feels that if one
took cuttings of them one could raise a library in the garden. And it is
those sentences which absorb, at the last, the whole of Mr James'
attention.
Public-domain text, read in full here on John Shaqi.
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