James, Henry, 1843-1916 -- Criticism and interpretation
Those who know the
writings of Mr. Henry James will recognize the inherited felicity of
diction which is so striking in the writings of Mr. Henry James, Jr.
The son's diction is not so racy as the father's; it lacks its daring,
but it is as fortunate and graphic; and I cannot give it greater praise
than this, though it has, when he will, a splendor and state which is
wholly its own.
Mr. James is now so universally recognized that I shall seem to be
making an unwarrantable claim when I express my belief that the
popularity of his stories was once largely confined to Mr. Field's
assistant. They had characteristics which forbade any editor to refuse
them; and there are no anecdotes of thrice-rejected manuscripts finally
printed to tell of him; his work was at once successful with all the
magazines. But with the readers of "The Atlantic," of "Harper's," of
"Lippincott's," of "The Galaxy," of "The Century," it was another
affair. The flavor was so strange, that, with rare exceptions, they
had to "learn to like" it. Probably few writers have in the same
degree compelled the liking of their readers. He was reluctantly
accepted, partly through a mistake as to his attitude--through the
confusion of his point of view with his private opinion--in the
reader's mind. This confusion caused the tears of rage which bedewed
our continent in behalf of the "average American girl" supposed to be
satirized in Daisy Miller, and prevented the perception of the fact
that, so far as the average American girl was studied at all in Daisy
Miller, her indestructible innocence, her invulnerable new-worldliness,
had never been so delicately appreciated. It was so plain that Mr.
James disliked her vulgar conditions, that the very people to whom he
revealed her essential sweetness and light were furious that he should
have seemed not to see what existed through him. In other words, they
would have liked him better if he had been a worse artist--if he had
been a little more confidential.
But that artistic impartiality which puzzled so many in the treatment
of Daisy Miller is one of the qualities most valuable in the eyes of
those who care how things are done, and I am not sure that it is not
Mr. James's most characteristic quality. As "frost performs the effect
of fire," this impartiality comes at last to the same result as
sympathy. We may be quite sure that Mr. James does not like the
peculiar phase of our civilization typified in Henrietta Stackpole; but
he treats her with such exquisite justice that he lets US like her. It
is an extreme case, but I confidently allege it in proof.
Public-domain text, read in full here on John Shaqi.
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