Henry Smeaton: A Jacobite Story of the Reign of George the First. — John Shaqi
Henry Smeaton: A Jacobite Story of the Reign of George the First.James, G. P. R. (George Payne Rainsford)
General
Henry Smeaton: A Jacobite Story of the Reign of George the First.
James, G. P. R. (George Payne Rainsford)
Jacobite Rebellion, 1715 -- Fiction
About a hundred yards beyond the grove of trees surrounding the
reservoir, but on the other side of the Reading Road, they came to a
house, standing a little back, with a paved court before it, and of
which the upper half of the lower and the lower half of the upper
windows were covered by an immense sheet of painted canvass
representing a variety of curious-looking utensils, mingled with
figures of men and women, some in a state of nudity, and some clothed
in the quaint and starched fashion of the day, while an inscription
underneath announced that Jacob Harris constructed, repaired, and kept
in order, fountains of every kind, size, and description, and made
chairs and garden-seats, ruined temples, and summer-houses, with
various other devices for the ornamenting of parks, pleasure-grounds,
and gardens. The description of his talents was long and minute; but
Van Noost seemed to hold them in but small esteem; for, as he passed
by, and cast his eyes upon the inscription, he said, with a sort of
grunt--
"Ha! he's forced to come to me for all his statuary. He can't do
that."
Some three or four hundred yards farther on, every step giving the
country greater predominance over the town, and a little on this side
of the spot where Apsley House now stands, was a small dwelling of two
low stories, retreating from the high road, and having a garden before
it of about a quarter of an acre in extent. This garden was ornamented
with various fruit trees, the medlar, the mulberry, and the
ditch-loving elder tree, notorious for its wine; but the principal
decoration consisted in a whole host of figures, as large as life,
cast in lead, and by no means ill-executed. One might have thought
that a living mob had taken possession of the garden, had not the
heterogeneous costume of the figures themselves denoted their real
nature. Almost all of them were painted "to the life." Here were
soldiers presenting their firelocks as if in the act of shooting at
you; dairy maids and country lasses with baskets on their heads, long
bodices, and gowns tucked through the pocket-holes; mowers whetting
their scythes--old Time amongst the rest; negroes, kneeling and
supporting sundials, "very black and beautiful," as dear Washington
Irving says in his negro cosmogony; to say nothing of fair-skinned
nymphs as naked as they were born. The garden was shut in from the
road by a rustic fence, with a small gate in the centre; and before
that gate Van Noost stopped, and opened it for his companion to pass
in.
Public-domain text, read in full here on John Shaqi.
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