English fiction -- 20th century; Lancashire (England) -- Fiction
He gave her the letters. She hadn’t known how much she had continued to
be hopeful of the Staithley idea, not for herself, not for a Bradshaw
who might live in Staithley Hall, but for him; and his admission that
Staithley had been in his mind was evidence that he knew occultly the
root cause of his derangement. These letters, he told her, were the
answer to it all, and they could be nothing but the call to Staithley,
an ultimatum which he meant to obey, of which he had the charming grace
to admit that he was glad. Indeed, indeed, she would rejoice with him.
He was going to Staithley, to work, to be cured by work and the tonic
air of the moors of the poison London had dropped into his system.
“This will finish off that old bogey,” he exulted and she exulted with
him as she bent her eyes to read the letters. She read and saw with what
disastrous optimism she had misunderstood. And he stood there aglow
with happiness, expectant of her congratulations when this was not the
beginning of new life but the death of hope! “Well?” he asked. “Well?”
“It does seem to depend on you,” she hedged.
“Uncle William would if he dared, eh? He’s as good as asking me to dare
for him, and I’ll dare all right. I’ll wire that I’ll see him to-morrow
afternoon. That’s soon enough. I’ll go by car. It’s a beastly railway
journey.”
“Aren’t you deciding very quickly, Rupert?”
“I thought for a solid five minutes before I handed the letters across
to you.” He was most indignant at her imputation of hastiness.
“I was watching you. Five minutes! Not long to give to the consideration
of a death sentence.”
“A--what?”
“Staithley. Staithley Mills without the Hepplestalls!”
“Oh, they’ll survive it. This tiling’s a gift from God, and I’m not
going to turn my back on the deity. It’s bad manners. Candidly, I’m
surprised at you, Mary. You might be thinking there’s something to argue
about. You might be sentimental for the Hepplestalls.”
“No,” she said. “For a Hepplestall. For you. Rupert, I’ll leave the
stage to-morrow if you will go and do your work at Staithley.”
“Good Lord! Besides, aren’t you rather forgetting? Aren’t you forgetting
you’re a Bradshaw?”
“It is quite safe to forget that. I’m Mary Arden. Nobody knows me. It’s
too long since I was anything but that.”
“Oh, it wouldn’t do. Too risky altogether. Oh, never. Staithley’s the
one place that’s absolutely barred.”
“Rupert, you’re making me responsible. You’re using me as your excuse.”
“Damn it, Mary, do you want us to live in Staithley?”
“Yes.”
“Well, I’m sorry. We can’t. I do you the justice to tell you I’ve never
found you a capricious woman before. But it’s plain that this is one of
the times when a man has to put his foot down on... on sentimentality
and all that sort of thing.”
“Your conscience was troubling you, Rupert.”
“It was, I’ve admitted it. And this letter is my quittance. It washes
conscience out. It closes the account.”
“No. You’re still troubled.”
“I’ll be hanged! Do you keep my conscience?”
Public-domain text, read in full here on John Shaqi.
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