English fiction -- 20th century; Lancashire (England) -- Fiction
“I want us to go to Staithley, Rupert.”
“This time, I can’t give you what you want, Mary. I’m going to Staithley
alone, for the purpose of cutting Staithley out of my life for ever.
I’m sorry about your attitude. I’m completely fogged by it, but I’m not
going to talk about it any more. This is the nearest we’ve ever come to
quarreling and we’ll get no nearer. I’ll go along for the car now.”
“Just one moment first, though. You say you’re putting your foot down. I
have a foot as well as you.”
“I adore your foot, Mary. If I were a sculptor--”
“Seriously, Rupert, I’m going to fight this. You’re doing wrong, you
know you’re doing wrong--”
“Fight?” he said. “My dear Mary, perhaps you own half of Hepplestall’s
shares? Now I’d an idea it was I.”
“Yes, it is you. It’s the man I love, and I won’t see you do this rotten
thing and raise no hand to stop you.”
“There are two things that I deny. It isn’t rotten and you can’t stop
me. So, won’t you just admit that you’re a woman and that you’re out of
your depth? Let’s kiss and be friends.”
“When we’ve just declared war?” she smiled.
“Oh, that’s rubbish. You’ve no munitions, my dear.”
“I’ve love,” she said, “and love will find me weapons. Perhaps love
won’t be particular what weapons it finds, either. If love finds
poison-gas, you won’t forget there’s love behind the gas, will you? I
want you to understand. You offered me something. You offered to put
Mary Arden in a theater of her own. Well, it’s the dream of every
actress and God knows it’s good enough for Mary Arden. To be in
management, and in management where there’s lots of money to do exactly
as I want!”
“And more money when this sale’s gone through,” he said eagerly.
“Yes,” she said, “it’s fine for Mary. It’s more than good enough for
her. But it isn’t good enough for Mary’s Rupert. Don’t you see it? You
must, you must. To be running an entertainment factory, when you might
be running Hepplestall’s?”
“You know, you’re looking at the theater through the wrong end of the
telescope, and at Hepplestall’s through the right. You haven’t a notion
of the wonderful things I’d planned to do for you in the theater. You’ve
never let me speak of them. And it isn’t running Hepplestall’s either.
Not for a long time. If I just went up there and walked into the office
as head of Hepplestall’s, there might be some sense in what you say,
but I don’t do that. I go into the mills and spin and do all sorts of
footling jobs for years. Years, I tell you,” he shouted and then it
occurred to him that he was arguing and had said he would not argue.
“The simple fact is that you don’t know what you’re talking about and
that I do. We’ll let it rest at that, except that I’m now going for the
car.”
“And except,” said Mary, “that I am fighting.”
“You darling,” he said contemptuously, and went out.
Public-domain text, read in full here on John Shaqi.
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