English fiction -- 20th century; Lancashire (England) -- Fiction
“Well, Mary Ellen,” he said, using her full name which certainly was
normal in Lancashire where the Mary Ellens and the John Thomases are
almost double-barreled names, “this is Staithley. How well do you
remember it? Is there a road round the mills?”
“I think so,” she said, “but you’ll meet cobbles.”
“It’s Staithley,” he said, and drove the circuit of the mills in
silence. “Um,” he said. “London. Furthest East, which is the Aldwych
Theater, to Furthest West, which is the St. James, to Furthest North,
which is the Oxford, and back East by Drury Lane. We’ve driven further
than that round these mills. Somebody once mentioned to me that they’re
big. There’s a coal mine, too, that’s a bit of detail nobody bothers to
think of. Well, is there any way of looking down on this village?”
“There’s Staithley Edge,” she said. “There’s a road up by the Drill
Hall.”
“Point it out,” he said. “You understand that we’re doing this to
give Aunt Gertrude time to powder her nose. It isn’t really a waste of
petrol.”
Whatever it was, and certainly she found no harsh reactions here, they
were doing it in the dark which fell like a benediction on Staithley.
Their wheels churned up rich mud of the consistency, since for days it
had been fine, of suet pudding, and the road, worn by the heavy traffic
of the mills, bumped them inexorably. “Staithley!” he said. “Staithley!”
but she did not detect contempt. They reached the Drill Hall and the
Square, unchanged except by a War Memorial and a cinema, and turned
into the street up which she had once gazed while Mr. Chown waited,
ill-lighted, ill-paved, a somber channel between two scrubby rows of
deadly uniform houses. “Staithley goes home,” Tom Bradshaw had said,
and this was where an appreciable percentage of it had gone; but neither
Rupert nor Mary were being sociological now. She did not know what he
was thinking; she thought of Staithley Edge and of the moors beyond,
wondering a little why she should find Staithley so good when it was so
good to get out of it up here.
A tang of burning peat assailed her nostrils, indicating that they had
reached the height where peat from, the moors cost less than coal from
the pits, and soon the upland air blew coolly in their faces as they
left the topmost house behind. The road led on, over the hill, across
the moor which showed no signs, in the darkness, of men’s ravaging
handiwork, but at the first rise Rupert stopped the car and got out.
Public-domain text, read in full here on John Shaqi.
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