English fiction -- 20th century; Lancashire (England) -- Fiction
“Yes,” she said, brazenly agreeing with his monstrous imputation, “but
John loved Annie and he’s been in a frenzy since she died and in his
mazed brain we can see how it seemed to him. We can, can’t we, Reuben?
She died in the factory and it looked to him that the factory had killed
her. And then he must have got a gun. I don’t know how, but we can see
the crazy lad with a gun in his hands and the wild thought in his mind
that the factory killed Annie. It’s your factory, it’s Hepple-stall’s,
and it ‘ud seem to him that Hepplestall killed. Annie, so he took his
gun and came to your house and tried to kill you. A daft lad and a
senseless deed and an awful, awful end to it, but we can read the
frantic thoughts in his grief-struck brain, we can understand them,
Reuben--you and I.” She sought to draw him into partnership with her, to
make him share in the plea which she addressed to him.
But “He killed my wife,” Reuben said again.
She had a momentary vision of Reuben and Phoebe twenty years ago riding
home to Bradshaw’s on the afternoon when they had met Dorothy in the
road, and Dorothy had cut him. She had talked then, she had chattered,
she had striven to be gay and her talk had rebounded, like a ball off a
wall, from the stony taciturnity of his abstraction and that night, that
very night.... It had been Dorothy then, and it was Dorothy now. “He
killed my wife.”
“But, Reuben, he was mad.”
“Still--”
She flung herself upon her knees. “Reuben, you cannot hang your son. Not
your son, Reuben.”
“Quiet,” he commanded. “Quiet.”
“Oh, I will be very quiet.” She lowered her voice obediently. “If there
are clerks through that door, they shall not hear. No one shall ever
know he is your son. You can save him and you must. He is your son and
there are babies, two little boys, your grandchildren, Reuben. What can
I do alone for them? Give John back to me and we can manage. It will be
mortal hard, but we shall do it.”
The woman was impossible. Actually she was pleading not only for the
murderer’s release, but for his return. His wife, Dorothy, lay dead at
this boy’s hands, and Phoebe was assuming that nothing was to happen!
But, by the Lord, things were going to happen. Crazy or not that phrase
of John’s stuck in his throat--“to set the people free from a tyrant.”
Where there was one man thinking that sort of thing, there were others;
it was a breeding sort of thought. Well, he’d sterilize it, he’d bleed
these thinkers white. Meantime, there was Phoebe, and, it seemed, there
were two young encumbrances. “There is the workhouse,” he said.
“Not while I live,” said Peter Bradshaw’s daughter.
Public-domain text, read in full here on John Shaqi.
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