English fiction -- 20th century; Lancashire (England) -- Fiction
“But to live, Phoebe, you must earn, and there will be no more earning
here for you.” The workhouse was a safe place for a woman with a
dangerous story and anything that escaped those muffling walls could
be set down as the frantic ravings of a hanged man’s mother. This
side-issue of Phoebe was a triviality, but he had learned the value of
looking after the pence--as well as the pounds.
“Oh, do with me what you like. You always have done. But John--John!”
He looked his unchanging answer.
“I am to go to the workhouse. Is not that enough? I to that place and
his children with me, John to--to the gallows, and why? Why? Because
through all these years I have given you a gift. The gift of my silence.
You are going to hang my son because I did not tell him he was your son.
You could save him and you don’t because he did not know. Reuben, is
there no mercy in you?” There was none. John had killed Dorothy. “Then,
if I shriek the truth aloud? If I cry out now so that your clerks can
hear me, that John is your son? If--”
“It would make this difference, Phoebe. You would go to the madhouse,
instead of to the workhouse. In the one you would be alone. In the other
you would sometimes see John’s brats.” He rang the hand-bell on his
desk.
“And teach them,” she said, “teach them to speak their first words, ‘I
hate the Hepplestalls.’”
Perhaps he heard her through the sound of the bell, perhaps not. A
well-drilled clerk came promptly in upon his summons. “This woman is to
go at once to the workhouse, with two children,” he said. “If there are
forms to go through refer the officials to me.”
In the factory they called him “Master.” He was master of them all. She
did not doubt it and she went.
Reuben finished reading his letters before he went home to breakfast. He
read attentively, doing accustomed things in his accustomed way because
it seemed that only so could he drug himself to forgetfulness of
Dorothy’s death, then gravely, with thoughts held firmly on business
affairs, he mounted his horse to where skilled hands had made death’s
aftermath a. gracious thing.
Edward had spoken to his brothers. “Give me five minutes alone with
Father when he comes in,” he said. It seemed to him this morning that
once, a prodigious while ago, he had been fatuously young and either
he had quarreled with his father or had come near to quarreling--he
couldn’t be expected to remember which across so long a time as the
night he had passed since then--about so obvious a certainty as his
going into the factory. Dorothy, in that moment when she held their
hands together, had made him see so clearly what he had to do. A moment
of reconcilement and of clarification, when she had indicated her last
wish. It was a law, indeed, and sweetly sane. “Why, of course, Mother,”
he had been telling her through the night, “Father and I must stand
together now.” He told, and she could not reply. She could not tell him
how grotesquely he misinterpreted her moment.
Public-domain text, read in full here on John Shaqi.
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