English fiction -- 20th century; Lancashire (England) -- Fiction
In Reuben’s, steam was the ideal: he knew nothing about it, had hardly
heard of Arkwright or Hargreaves, Kay or Crompton who, amongst them,
made the water-power factory; and Watt of the practicable steam-engine,
Watt who gave us force and power, Watt the father of industrial
civilization, the inventor who was not responsible for the uses others
made of his inventions, so let us be equitable to his memory, let us
not talk of him as either the world’s greatest scapegoat or its most
fruitful accident--Watt was almost news to Reuben Hepplestall when he
met Martin Everett in Manchester.
The meeting was fortuitous. Everett, an architect, one of Arkwright’s
men who had quarreled with him, was kicking his heels in the ante-room
of a Manchester lawyer’s office when Reuben was shown in. Certainly,
Reuben was not to be kept waiting by the lawyer as Everett, a suppliant,
an applicant for capital, was likely to wait, but the lawyer was engaged
and the two young men fell to talking. Everett, something of a fanatic
for steam, the new, the unorthodox, the insurgent challenge to the
landed men, at once struck fire on Hepplestall. He turned lecturer,
steam’s propagandist, condemning waterpower as an archaism, and when
Reuben admitted he had come to his lawyer for the very purpose of giving
instructions for the sale of land and the initiation of plans for
a factory on, he suggested, the banks of a river, Everett had small
difficulty in converting him to steam.
“I meant to bury Bantison,” said Reuben. “Now we’ll boil him.” Everett
was puzzled.
“You burn wood in your house, sir?” he asked.
“And coal. Is it to the point?”
“The coal is. You get it--where?”
“There is a seam.”
“Then that is the site of your factory.”
“God!” said Hepplestall, “it will be a monstrous sight.” He spoke as if
that gladdened him.
“The building, sir, will have dignity,” the architect reproved him.
“Aye? But I’m thinking of the engine. The furnace. The coal. A red
herring? A smoked herring!”
He relished the thought again. By steam (Lord, was he ever in the camp
of those fantastical reactionaries, the Jacobites?), by steam he would
symbolize his opposition to Whitworth and the Bloods. He was going into
trade and so would be, anyhow, ostracized, but more than that, into
steam, gambling on the new, the hardly tried, the strange power that the
Bloods had only heard of to deride it; going into it blindly, on general
hearsay, and the particular _ipse dixit_ of a young enthusiast who might
be (except that Reuben trusted his insight and knew better) a charlatan
or a deluded fool; and for Reuben there was the attraction of taking
chances, of the impudent, audacious challenge to fortune and to the
outraged Bloods.
Public-domain text, read in full here on John Shaqi.
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