Anglo-Indians -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction; Young women -- Fiction
After coffee in the garden the party strolled over to the Casino in
order to see the grand fireworks. The grounds were illuminated, and
the crowd was immense. The entire scene was delightful, so gay, so
exhilarating and so foreign. People of many nations sat about, or
promenaded in groups, staring at the brilliant display, and listening
to the band.
Some of the members of the late festivity assembled on the terrace,
where they paced to and fro, or stood to exclaim at some specially
marvellous effect. Miss Chandos was so closely invested by Uhlan
officers and other friends that Captain Haig had no opportunity of
exchanging a word with her. After several frustrated attempts he turned
aside, took a seat apart, and, we may as well admit it, sulked! He
watched with discontented eyes the gay throng of well-dressed people,
the glitter of diamonds, the bright stars overhead, the bright light
around. He saw Verona (as he mentally called her) now holding a little
court on the terrace, again strolling up and down with an Austrian
field-marshal or a Russian grand duke, and he realised how difficult
it would be for him to improve their acquaintance, and what a complete
outsider he was. There were too many notable worshippers, all competing
for a lady's society and favour, and he was but an impecunious officer
who must not venture to claim the privilege of sunning himself in the
beauty's smiles.
Nevertheless, Captain Haig had some brief visions of Miss Chandos;
for instance, at the Elisabeth Well of a morning, at the opera, or at
church, now and then they exchanged a few sentences.
At the annual Battle of Flowers--which was attended by all Homburg
and Frankfort--the carriage of Madame de Godez was accorded a coveted
banner, and first prize. The landau was entirely covered with pink
roses, the very wheels had been transformed into colossal wreaths.
Four milk-white horses, caparisoned with roses and silver, were led
by grooms wearing pink and silver livery and white wigs. It was the
chariot of a Fairy Queen, and was received with shouts of admiration
and pelted with a hurricane of flowers.
Enthroned in the vehicle reclined Madame de Godez, arrayed (despite her
maid) in a gorgeous pink and silver pelisse, with feathered headgear of
the most imposing assumption. ("The blot on the escutcheon," Sir Horace
dubbed the lady.) Beside her was seated the Princess, clad in white,
her hat crowned with roses; on the coach box was perched Dog Darling,
decorated en suite, with an enormous pink bow--glowering at all the
world and shivering with shame!
The carriage was crammed with flowers of the most costly varieties,
which the two ladies tossed to the crowd with liberal hands.
As the splendid equipage rolled majestically between dense masses of
admiring spectators it seemed to represent the triumphal car of Beauty
and Mammon.
Public-domain text, read in full here on John Shaqi.
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