Anglo-Indians -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction; Young women -- Fiction
As the girl sat thus, she was staring, not at the coals, but into the
dim past, yearning to recall some face, urging her torpid memory to
send her even one sign. But, strive as she would, all that emerged from
the veil which concealed those far-away days was a little painted toy!
A wooden figure with a yellow turban, and a scarlet body covered with
gold spots. She remembered it perfectly, her anguish when it had fallen
overboard, and how she had wept. It was marvellous that such a paltry
item should remain fixed in a child's brain, and that yet she could not
recall the face of her parents. No, as far as they were concerned, her
memory was a hopeless blank.
Her heart was full to bursting, her thoughts were moving and strange.
At last she sprang up and began to pace the room, with subdued silken
rustlings and a quick light tread.
Once she stood still and, stretching her arms to the irresponsive
London fog, whispered in tones of the most exquisite tenderness, "Oh,
mother, mother, mother!"
CHAPTER VI
The morning after this unusual conversation Verona awoke with the
sensation that something extraordinary had happened; awoke to a vague
sense of disaster--a loss of something out of her life, a loss of
birthright and inheritance; and in spite of an imperious voice which
clamoured in her ear of auntie's affection and indulgence, she was
aware of a feeling of dissatisfaction and disquiet. Instead of rising
as usual when her maid brought in her bath and tea, she lay for a
long, long time, staring vacantly at the wallpaper and entertaining
a succession of unfamiliar thoughts. She was endeavouring to become
acquainted with the personal meaning of the strange words father,
mother, brother, sister, and home.
* * * * *
There was a sudden improvement in the weather, a capricious change
which flooded the city with sunshine; bright blue skies stared down
upon the leafless parks and hinted at approaching Spring.
Madame de Godez, who was painfully sensitive to climate and constantly
referred to herself as "a true child of the sun," now declared that she
felt much better--almost well; and instead of cowering over the coals,
with her head enveloped in a shawl, her feet encased in fur slippers,
she roused up, made a toilet, ordered a carriage, and drove about to
milliners, house agents and restaurants. "The child of the sun" was
no longer a shivering, ailing old woman, but the bustling and jaunty
Madame de Godez of former days. The transformation was astounding; she
angrily refused to follow the doctor's orders, flouted the idea of
a _régime_, and her appetite for the pleasures of the table and the
pleasures of society was, if anything, keener than ever.
Public-domain text, read in full here on John Shaqi.
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