Anglo-Indians -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction; Young women -- Fiction
CHAPTER XI
As Verona waited alone in this dim, unfamiliar room, her heart throbbed
quickly; more than once she caught her breath with an involuntary gasp,
for she realized that she was on the threshold of the most momentous
event of her life; within the next few seconds she would be face to
face with her mother.
Picture the situation! For twenty years this girl had lived with
strangers, moving among friendly family circles, but belonging to
none; secretly envious of home and blood ties. Although she bestowed
her affections generously, an enormous reserve fund was stored up in
her heart, ready to be lavished on someone near and dear, and someone
near and dear was coming now. As she gazed with eyes grown deep with
longing towards the curtained doors, her feelings were indescribable;
in spite of the close, airless atmosphere, she was icy cold, and her
clammy hands trembled in her lap.
Half unconsciously she contemplated her surroundings, the imposing
grand piano, blackwood carved furniture, upholstered in red damask,
marble-topped tables, Indian rugs, and three high doors, corresponding
with the French windows. The room resembled a salon in some foreign
hotel; no flowers, photographs or books were to be seen, much less a
cat or dog, a rumpled newspaper, or scrap of work; but there was a
curious unfamiliar odour, a mysterious combination of musk and coffee.
To judge by their bungalow and the smart victoria, her parents were
in easy circumstances--the standard of wealth in the East presumably
differed from that in the West; poverty in England meant luxury in
Manora. It was true that her father's clothes were shabby, but she was
aware that some elderly men despised their personal appearance; and had
not her father administered a shock? A sharp unexpected disappointment?
Angrily she drove away the fact, but like an irritating insect, it
returned with determined persistence.
He was undoubtedly a gentleman, his features were finely cut, his voice
and manner unimpeachable, but there was a hidden tragedy in those weary
eyes and timid deprecating air. What was the experience which had
crushed all the light out of his face? and why did he look as if he
abode day and night with the giant Despair? Was his haggard expression
merely the result of ill-health, or, in consequence, of the doom of
exile? Then her thoughts sprang back to that central figure--her
mother. Oh, when would she come? What was detaining her?
Presently Verona became aware of a stealthy hustling and scuffling
outside one of the curtained doors; her relations were evidently in her
immediate vicinity. There was a sound of half-suppressed squeaks, of
giggling and tittering, then a voice, in a well-known accent, cried:
"Oh, goody me! Pussy, Pussy, come along!"
Instantly the reply in breathless jerks, like a double knock, "No! no!
no! you go!--you go!"
Public-domain text, read in full here on John Shaqi.
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