Her Season in Bath: A Story of Bygone DaysMarshall, Emma
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Her Season in Bath: A Story of Bygone Days
Marshall, Emma
Bath (England) -- Fiction
"You won't get the introduction from Lady Betty. I'll lay a wager she
will be too wary to give it; but I must look after my partner, so
ta-ta!"
Truly the world is a stage, across which the generations of men come and
go! Assemblies of to-day at Bath and Clifton, and other places of
fashionable resort, may wear a different aspect in all outward things,
but the salient points are the same. Idle men and foolish women vie with
each other in the parts they play. Age wears the guise of youth, and
vanity hopes that the semblance passes for the reality.
Literary women may not write as Mrs. Macaulay did nine volumes of
ill-digested and shallow history, and become thereby famous, and it
would be hard to match the profane folly of a clergyman like Dr. Wilson,
who in his infatuation erected a statue to this woman in his own church
of St. Stephen's, Walbrook, adorned as the Goddess of Liberty--an
infatuation which we must charitably suppose was madness. Nor would such
a woman be the rage now at Bath or anywhere else.
Lady Miller was of a higher order of womanhood. She created a literary
circle in a beautiful villa at Batheaston, inviting her friends to
contribute poems and deposit them in a vase from Frascati.
It may seem to us ridiculous that successful contributors should be
crowned by Lady Miller with all due solemnity with myrtle wreaths. But
there is surely the same spirit abroad at the close of the nineteenth as
marked the last years of the eighteenth century. The pretenders are not
dead. They have not vanished out of the land. There are the Lady Bettys
who put on the guise of youth, and the Mrs. Macaulays who put on the
appearance of great literary talent. They pose as authorities on
literature and politics, and they are often centres of a _coterie_ who
are fully as subservient as that which Lady Miller gathered round her in
her villa at Batheaston. They may not kneel to receive a laurel crown
from the hands of their patroness; but, none the less, they carry
themselves with the air of those who are superior to common folk, and
can afford to look down from a vantage-ground on their brothers and
sisters in the field of literature, who, making no effort to secure a
hearing, sometimes gain one, and win hearts also. It may be when the
memory of many has perished with their work, that those who have
laboured with a true heart for the good of others, and not for their own
praise and fame, may, being dead, yet speak to generations yet to come.
CHAPTER III.
ANOTHER SIDE OF THE PICTURE.
Public-domain text, read in full here on John Shaqi.
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