Her Season in Bath: A Story of Bygone Days — John Shaqi
Her Season in Bath: A Story of Bygone DaysMarshall, Emma
General
Her Season in Bath: A Story of Bygone Days
Marshall, Emma
Bath (England) -- Fiction
"That is for you, Mistress Griselda. The gentleman brought it himself;
'and,' says he, 'give it to the young lady in private.' And then he had
the impudence to offer me a crown-piece! Says I, 'I don't hold, sir,
with sly ways; and I don't want your money.' Then he looked uncommon
foolish, and said I was quite right; he hated sly ways. He only
meant--well, _I_ knew what he meant--that I was not to let my lady know
you had the '_buket_;' but I just took it straight into the room, and
said, 'Here's a _buket_ for Mistress Grisel;' and, what do you think?
she was in one of her tantrums with Mr. Perkyns, who vowed he would not
take down her hair again; and there she was, screaming at him, and you
might have had fifty _bukets_, and she wouldn't have cared. Ah, my dear
Mistress Griselda, these vanities and sinful pleasures are just Satan's
yoke. They bring a lot of misery, and his slaves are made to feel the
pricks. Better be servants to a good master--better be children of the
Lord--than slaves of sin. It's all alike," as she gave the violin-case a
touch with her foot; "it's all sin and wickedness--plays, and balls, and
music, and----"
"Nonsense, Graves! Never tell me music is wrong. Why, you sing hymns at
Lady Huntingdon's Chapel--_that_ is music!"
"I don't hold with _that_ altogether; but hymns is one thing, and
foolish love-songs another. I am trembling for you, my dear; I am
trembling for you, with your flowers and your finery. The service of the
world is hard bondage."
Griselda had now put away her violin, and had taken up the flowers which
she had allowed to lie on the table, till her treasured possession was
in safety; and, as Graves departed, she said, as she saw a note hidden
in the centre of the bouquet:
"I am sure I don't care for these flowers; you may take them down to her
ladyship, if you please."
But Graves was gone.
A girl of twenty was not likely to be absolutely without curiosity, and,
though Griselda tore the scented, three-cornered billet open, and read
the contents with some eagerness, her face was flushed and her lip
curled as she did so.
"To the fairest of the fair! These poor flowers came from one who lives
on her smile and hungers for her presence, with the prayer that she will
grant him one dance to-night--if but _one_----"
Then there was a curious tangle of letters, which were twisted in the
form of a heart, the letter "G" being in the shape of a dart which had
pierced it.
Griselda tore the note in pieces, and said:
"Why does he not send his ridiculous billets to the person who wants
them? I hate him, and his finery, and his flattery. I know not which is
worse."
Hours were early in the eighteenth century, and by seven o'clock the two
ladies met in the dining-parlour of the house in North Parade ready for
the ball, and awaiting the arrival of the sedan-chairs, which were
attended by Lady Betty's own man.
Public-domain text, read in full here on John Shaqi.
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