Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
[Illustration: FIG. 205.--Arms of the Earl and Countess of Mar and
Kellie. Painted Gesso. Geo. W. Eve.]
As an example of one form of genealogical scheme maybe instanced the
series of arms and devices in painted gesso now in the hall of Alloa
House, Alloa, which were done to fill a range of panels in a dado,
and beginning with the simplest shield of Henricus de Erskine in 1224
(Fig. 141), extend round the apartment and end, on the opposite side
of the fireplace, with the quartered and impaled arms of the present
Earl and Countess of Mar and Kellie (Fig. 205). Alternating with the
arms of each generation are repetitions of three devices, designed
for the purpose and consisting of the crest and motto of the Earldom
of Mar, those of Kellie (Fig. 206) and the monogram and motto with
the supporters (Fig. 207) respectively. These devices were of course
capable of any necessary amount of repetition, and when a knighthood of
an order necessitated a group of two or more shields the devices serve
to mark the grouping, and as it were to punctuate the whole scheme. The
gesso was made of whiting and gelatine as already described, and the
surface was varied by the use of different textures. The colour was
applied over metal which was allowed to show through on the ridges of
the diaper that was also introduced to give variety and interest to the
simpler forms. Others of this series are illustrated in Figs. 141 and
142.
[Illustration: FIG. 206.--Device. Crest of the Earldom of Kellie.
Gesso, before painting. Geo. W. Eve.]
[Illustration: FIG. 207.--Device. Monogram and Supporters of the Earl
of Mar and Kellie. Gesso, before painting. Geo. W. Eve.]
Another method of arranging a scheme of decoration is that which traces
the advent of quarterings into the shield of a family, by picking
from the pedigree the matches by which the various coats of arms came
in, and making them the motives of the work, to the exclusion of
intermediate matches, proceeding in regular order from the simple arms
to the final shield of complete quarterings.
Many other schemes will readily suggest themselves. The visits of
guests of distinction may be marked by panels of their arms in the
chambers they occupied, perhaps by an enamel plaque in the centre of a
panel.
Public-domain text, read in full here on John Shaqi.
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