Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
The arms of Schools, Colleges and Universities, and of other
corporations and institutions, motives that are allusive rather than
personal, are yet of the keenest interest to those concerned, an
interest that is too often tempered by the unworthiness of the heraldic
treatment. The practice of hanging on the wall shields of arms of the
stationers’ shop type may be necessary for commercial reasons, but is
much to be deplored. It seems impossible to get them improved, the
feeling that they are “good enough” (and perhaps they are!) appears
to be sufficient recommendation. Even when the arms are well treated,
as is rarely the case, and I am not now referring only to the kind
which satisfies the aesthetic perception of the casual schoolboy, the
effect of the hanging shield in an ordinary room suggests at best a
kind of Strawberry Hill Gothic that is out of keeping with any probable
surroundings. When heraldry that can be treated as a movable picture is
needed, and something of this kind is made necessary by the want of
permanence in our dwelling-places, a framed panel of arms is probably
the most suitable form that modern heraldic wall decoration can take.
It may be in wood or metal, in colour or monochrome, of any quality and
interest that may be found most pleasing, and being framed, it will
take its place in the adornment of an ordinary room in the same way
that a picture does.
STAINED GLASS.--Of all methods of heraldic expression stained glass
is perhaps the most appropriate as purely decorative treatment of the
subject, for not only is the splendour of colour peculiarly fitting,
but even the commemorative quality of heraldry assimilates in feeling
with the memorial character which is rarely absent from a stained
window.
The temptation which it naturally offered to partisan fury has left
comparatively little of the early work, but sufficient has remained to
show how perfectly it could be made to serve its purpose.
Public-domain text, read in full here on John Shaqi.
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