Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
The Dacre knot is less a knot than a badge, consisting of an escallop
shell linked by a cord with a ragged staff or a billet (Fig. 270). In
the same way a sickle and a garb are tied together in the badge of
Lord Hastings, and are suggestive of the way in which initial letters
of names were linked with each other and with badges in the splendid
pageants of the sixteenth century.
The Lacey knot is shown at Fig. 271.
LOZENGE.--Fig. 272.
[Illustration: FIG. 272.]
[Illustration: FIG. 273.]
[Illustration: FIG. 274.]
MANCHE OR MAUNCHE.--A severely conventionalized form of a sleeve,
derived from the actual sleeve which was worn at a tournament, as a
ladies’ favour, floating from the shoulder of a favoured knight. The
illustrations are from the fifteenth century seal of Lord Hastings
(Fig. 273), and from a MS. of the following century relating to the
same family (Fig. 274).
MULLET.--A five-pointed star-like figure whose name is derived from
Mollette, the rowel of a spur (Fig. 293).
PALL.--An heraldic figure which occurs in the arms of certain
Archbishoprics, being indeed a representation of the Pallium, which is
an especial vestment of an Archbishop. Mr. Everard Green, Rouge Dragon
Pursuivant, has fully dealt with this in an admirable monograph which
is among the Archaeologia of the Society of Antiquaries, from which it
appears certain that the pall is not the arms of a particular see, but
is an ensign of the ecclesiastical rank of an archbishop.
PHEON.--The head of a dart, the so-called broad arrow of Government
stores. It usually has its inner edges engrailed, but this is not
essential any more than are the rigidly straight lines with which
it is generally drawn. There are many other forms in early use that
are much more satisfactory, such as Fig. 275, which is from an early
sixteenth century MS. The pheon is understood to be point downwards as
in the example, unless it is otherwise described.
[Illustration: FIG. 275.]
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