Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
In order to distinguish the various members of a family among
themselves certain additions to the shield called marks of cadency are
employed; and in the earliest days of the heraldic system a son charged
the arms that he derived from his father with such a mark of difference
as he thought fit and effectual, but by the middle of the fourteenth
century some amount of regularity was arrived at, and by the end of the
sixteenth century the present method had become usual. In this system
the eldest son is distinguished by a file or label of three points,
which consists of a horizontal part from which depend the lambeaux
(Fig. 286 _et seq._). Its origin is extremely obscure, and whether it
represents the points of garments, or tongues or labels threaded on
a cord, no one can say with certainty. It seems probable that it may
have originally been a favour or distinction whose history and original
significance have been lost. The effigy at Artois of Charles Count
d’Eu has a label which passes round the shoulders, exactly as other
collars did, and consists of large labels charged with castles and
suspended from what appears to be a narrow cord (Fig. 288).
[Illustration: FIG. 288.]
[Illustration: FIG. 289.]
[Illustration: FIG. 290.]
On a shield the label is borne in chief and passes over any charges
that may be in that part of the arms. In early examples the pendant
parts are wider than the rest, in some cases much wider, as in the
Garter Plate of Gaston de Foix, Comte de Longueville and Captal de
Buch, whose label is charged with a complete coat of arms repeated
on each point, a cross charged with five escallop shells, which are
the arms of John de Grielly, a previous Captal de Buch who married
Blanche de Foix. In later times the points of labels were widened at
the ends as in Fig. 289, a form which in the eighteenth and nineteenth
centuries had become as squat and ugly as the still common type (Fig.
290). In ordinary cadency the label which extends from side to side
of the shield is no longer used, being reserved for members of the
Blood Royal, and a shortened form takes its place in ordinary coats
of arms. Distinctions of cadency are provided to the number of nine,
and no regular provision is made beyond the ninth son; not because
others are to go undifferenced, but because in old heraldic treatises
great importance is ascribed to that mystic figure 9. There were
nine tinctures (including the rare colours tenné and sanguine), nine
ordinaries, nine partitions, or methods of displaying charges with
ordinaries, and so forth. The differences are as follows:--
The eldest son a label.
second ” a crescent.
third ” a mullet.
fourth ” a martlet.
fifth ” an amulet.
sixth ” a fleur-de-lis.
seventh ” a rose.
eighth ” a cross moline.
ninth ” a double quatrefoil.
[Illustration: FIGS. 291-299.]
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