Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
The Canton (Fig. 73) is frequently a means of displaying an
augmentation, a special distinction added to a previously existing
coat, as in the arms of the family of Lane and others. It is drawn
of any convenient size short of being possibly confused with the
Quarter, the latter occupying the proportion of the shield that its
name implies. The fact that even in modern coats the canton partially
covers, if necessary, a charge near the same part of the shield
suggests that it was in its origin an added mark of honour; and also
because like the chief, it is mentioned in the blazon only after the
main part of the shield has been described.
The Orle (Fig. 69) becomes a Tressure (Fig. 70) by the addition
of fleurs-de-lis, and when doubled and decorated with alternating
fleurs-de-lis on both sides the beautiful “double tressure flory
counterflory” of the Royal arms of Scotland is formed.
[Illustration: FIG. 73.]
[Illustration: FIG. 74.]
[Illustration: FIG. 75.]
[Illustration: FIG. 76.]
Other ordinaries may also be made flory in a similar way, and a
partition line may be flory counterflory, so that each division of the
field interpenetrates the other in a very beautiful counter-change.
The Bordure (Fig. 71) was extensively used in the Middle Ages as an
addition to the arms of a family by which to distinguish its individual
members from each other, as it still is in Scotland, and in its
application to historic personages is a subject of great interest; for
example, the shield of John of Eltham bore the arms of his father,
Edward II, the lions of England, differenced with a bordure charged
with fleurs-de-lis, in allusion to his mother, Isabella of France. The
shield (Fig. 77) appears on the tomb of his nephew, Prince Edmund, at
Kings Langley, but a much finer example is that from Prince John’s own
monument in Westminster Abbey, at p. 77. This part of the subject will
well repay pursuit, though space forbids its further consideration here.
[Illustration: FIG. 77.
Arms of Prince John of Eltham. From the Monument to Prince Edmund of
Langley at Kings Langley.]
It should be noted that when a chief or a canton occurs in the same
arms with a bordure it surmounts the latter, or rather the bordure
stops when it touches the other, for both are usually represented as
in the same plane. Also, when a coat with a bordure is impaled with
another, as in the arms of husband and wife, the bordure stops at the
junction with the other coat. Nevertheless, the charges on the bordure,
if any, and of specified number, remain, with the rest of the arms,
unaffected by its diminution.
The fact that the chief surmounts a bordure lends probability to the
assertion that chiefs like cantons were at first honorific additions to
pre-existing arms.
Flanches are represented in Fig. 78, and their diminutives, Flasques
and Voiders, are sometimes met with in old works.
[Illustration: FIG. 78.]
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