Heraldry as art: An account of its development and practice, chiefly in England — John Shaqi
Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
Symbolism of this kind has been lost to heraldry, not, however, leaving
it without significance; for arms have also allusive meanings that are
no less interesting as records of incidents that are thought worthy of
remembrance.
Many mediaeval bearings originated in this way, the belt and buckles
of Pelham, which commemorate the capture of the French king at
Poitiers, for instance. The more modern kind of heraldic symbolism
occurs in the arms of the great Admiral Sir Cloudesley Shovel, who
commemorated his victory over the fleets of Turkey and France at the
end of the seventeenth century by adding two crescents in chief, and a
fleur-de-lis in base to his existing coat, gules a chevron ermine. In
our own time successful generals embody in their armorials the badges
of regiments with which they have been connected, or bear allusions to
places where their successes have been won. In a more peaceful field
the skill and assiduity of a distinguished physician may be rewarded by
the addition to his arms of some part of the Royal insignia, to mark
for all time the services he has rendered to the State. Such arms are
conferred by special grant, and are called Arms of Augmentation or
Augmentations of Honour. In this way the inherent qualities of heraldry
are seen to be very stable and to remain constant through the ages in
spite of changes of manners and of general environment.
Our heraldry, which quickly reached a high degree of decorative
excellence, developed as a system, in a natural way, on the line of its
own necessities; as did its artistic expression in a great measure,
though the latter owed much to transmitted designs and (mainly through
the influence of the textiles and other importations) helped to
perpetuate in Western art the beasts and birds and strange composite
conceptions of the East. These ancient prototypes of familiar heraldic
forms are singularly interesting, as sometimes possessing in a very
marked degree qualities, such as vigorous expression and characteristic
generalization of form, which teach valuable lessons in their
application to modern use.
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