Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
Other Princes and Princesses bear coronets that are varied according
to nearness to the Throne, the grandchildren of the Sovereign having
ducal leaves in place of two of the crosses, while nephews have similar
leaves in place of all the fleurs-de-lis. This must not be taken as
an invariable rule of heraldry but as an indication of the system that
is observed in framing the Royal Warrants by which alone the right
to these coronets, and also to the Royal marks of cadency (q.v.) is
conferred.
[Illustration: FIG. 169.--Coronet of the Prince of Wales.]
Royal coronets, other than that of the Prince of Wales, do not change
automatically as private marks of cadency do, but being arranged under
the same Royal Warrant by which the arms are assigned, they remain as
so designated until they are changed by the same authority.
The Coronets of Peers were definitely assigned to the various ranks
by warrant of Charles II, having by that time become developed into
distinctive forms, as the Crown had been, from the circlets which in
themselves were marks of high rank and were so used ceremonially in
conferring a title.
The coronet of a Duke is composed of eight ornamental leaves of
equal height, wrongly called strawberry leaves, set on a rim which
is ornamented with jewel-like tracery but not with actual gems.
Eight being the full number of leaves, five of which are visible in
representation.
A Marquis’s coronet has four leaves alternately with an equal number
of silver balls, called pearls, which are set on points to the height
of the leaves, and the coronet is always represented as so posed that
three leaves and two balls are visible. It is directed that in all
coronets the balls shall be of silver and not counterfeit pearls.
An Earl’s coronet has eight balls raised on high points and showing
between them leaves which are set low down. Five balls and four
alternate leaves are usually shown. This form is evidently derived
from the beautiful coronet that is sculptured on the tomb of Thomas
Fitzalan, Earl of Arundel, 1445, and in the same way that the coronet
of another Earl of Arundel (A.D. 1487) foreshadowed that of a duke.
The former of these is very fine, having groups of three pearls on
alternate points, and with the leaves also on points to the same height
as the others.
A Viscount’s coronet is a circle with surface decorations which, like
all the preceding, is as in that of a Duke and has sixteen silver balls
set close on the rim, and of them nine are shown.
A Baron’s coronet has six silver balls, also set directly on the rim
and not on points, the circlet in this instance being plain, i.e.,
without indications of jewel forms.
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