In spite of her lack of beauty, Anna's pretty girlish figure and
youthful grace often attracted people--her expression was so guileless
and sweet, and the fair fluffy hair so softly tinted; and as she stood
there in the morning sunshine, in her white gown and shady hat, Malcolm
felt secretly proud of his young companion, and his manner became still
more affectionate.
They interviewed Malachi, and to Anna's delight Malcolm put him through
his paces. Then they went into the inner room, and Anna sat down on the
chair Cedric had occupied, and looked round her with undisguised
amazement: the shabbiness and ugliness of the surroundings almost
shocked her.
"Oh, Malcolm, it is not a bit nice and comfortable," she said with an
anxious frown: "fancy your spending your days in this dreary room."
Then Malcolm gave an amused laugh.
"Poor little girl, so you are disappointed in my literary den. I
suppose you thought I should have carved oak and Russia leather
bindings; but we don't go in for aesthetic furniture in Lincoln's Inn."
"But it is so ugly and so dingy, Malcolm."
"Is it?" he returned, quite surprised at this severe criticism. "I
think it quite snug myself. I have done some good work here, Anna, so I
suppose the ugliness and dinginess are somewhat inspiring." And Malcolm
glanced at his littered writing-table rather proudly.
As Anna felt no temptation to linger, they started off briskly in
search of Todmorden's Lane.
They found it with little difficulty. It was a small side street, of
somewhat unprepossessing appearance, leading out of Beauchamp Street.
Bennet, boot-maker and umbrella-maker, had a dark, dingy little shop
just at the corner. It had evidently been an ordinary dwelling-house in
old times, but a bow window had been added to transform it into a shop.
A flight of broken steps led to the basement, where the cobbler and his
household lived; but as they carefully descended, Malcolm suddenly
paused.
"What on earth is that noise?" he asked in a puzzled tone. And Anna,
drawing her dainty white skirts closely round her, stood still to
listen.
It was certainly an extraordinary combination of sounds. It seemed at
first as though two people were singing a duet in different tunes and
without any regard to time; there was persistent melody and yet there
was utter discord, and it seemed accompanied by the clanging of
fire-irons.
Presently Anna began to laugh. "Do let us go in and see what it means,"
she whispered. "Somebody--a man, I think--is singing 'Rule Britannia'
and 'Hark, hark, my soul' by turns, and there is a woman talking or
scolding at the same time."
Public-domain text, read in full here on John Shaqi.
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