Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670Arber, Agnes Robertson
History
Herbals, Their Origin and Evolution: A Chapter in the History of Botany 1470-1670
Arber, Agnes Robertson
Botany -- Europe -- History; Herbals -- Europe -- History
Bock’s great work is the ‘New Kreutterbuch,’ a herbal which first
appeared in 1539, printed at Strasburg by Wendel Rihel. In subsequent
editions the title was abbreviated to ‘Kreuter Bůch.’ The first edition
was without illustrations, but a second, containing many wood-cuts,
followed in 1546. The majority of the figures are said to have been
copied on a reduced scale from those in Fuchs’ magnificent herbal,
which appeared in 1542, between the first and second editions of Bock’s
work. Fuchs’ figures must have been used with great discretion, for
the plagiarism is often not obvious (see Text-figs. 27, 90, 91). A
considerable number of the figures are new, being drawn and engraved by
David Kandel, whose initials appear on the portrait of Bock, reproduced
in Text-fig. 26. The wood-cuts of trees in the third part of the book
are particularly noticeable (see Text-figs. 28 and 92) and are often
made more interesting by the introduction of figures of men and animals.
Bock’s chief claim to remembrance, however, does not lie in his
figures, but in his descriptions, which were a great advance on
those previously published. He was careful also to note the mode of
occurrence and localities of the plants mentioned, and in this feature
his work showed some approach to a flora in the modern sense of the
word. Bock seems to have been a keen collector, although hampered by
ill-health, and a great point in his favour is that he described only
those plants which had come under his own personal observation. The
Royal Fern (_Osmunda_) was traditionally supposed to bear seed upon St.
John’s Eve, though ferns were generally believed at that time to have
no organs of fructification. To test this statement, Bock four times
spent the night in the forest. He found “small black seed like poppy
seed,” in spite of the fact that he “used no charm, incantation or
magic character,” but went upon his search without superstition.
[Illustration: Text-fig. 28. “Pimpernuss” = _Pistacia_, Pistachio-nut
[Bock, Kreuter Bůch, 1546].]
[Illustration: Text-fig. 29. “Tribulus aquaticus” = _Trapa natans_ L.,
Bull-nut [Bock, De stirpium, 1552].]
Bock’s freedom from the credulity which permeated the work of so many
of the early botanists is one of his most remarkable characteristics.
His chapters on _Verbena_ and _Artemisia_ reflect clearly the
independence of his thought. He points out that the former plant is
collected rather for purposes of magic than for medicine, and he
can hardly contain his scorn at the “monkey tricks and ceremonies”
connected with the use of the latter.
Public-domain text, read in full here on John Shaqi.
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