American fiction -- 20th century; Short stories, American
The Professor was by this time so steeled to the unexpected that he
hardly paused to consider the strange incongruity between the Princess’s
account of her fortunes and the setting in which she lived. He had read
_Mon Caprice_ on the gate, and that was the name on the envelope he had
found in his pocket. With a resolute hand he rang the bell and asked a
resplendent footman if the Princess Balalatinsky were at home.
He was shown through a long succession of drawing-rooms, in the last of
which the Princess rose from the depths of a broad divan. She was
dressed in black draperies, half-transparent—no, half-translucent; and
she stood before the Professor in all the formidable completeness of her
beauty.
Instantly his mind clicked again, and a voice shrilled up at him from
the depths: “You always _knew_ you could still recognize a beautiful
woman when you saw one”; but he closed his ears to the suggestion and
advanced toward the lady.
Before he could take more than three steps she was at his side, almost
at his feet; her burning clasp was on his wrists, and her eyes were
consuming him like coals of fire.
“Master! _Maestro!_ Disguise is useless! You choose to come to me
unannounced; but I was sure you would answer my appeal, and I should
have recognized you anywhere, and among any number of people.” She
lifted his astonished hand to her lips. “It is the penalty of genius,”
she breathed.
“But—” gasped the Professor.
A scented finger was laid across his lips. “Hush: not yet. Let me tell
you first why I ventured to write to you.” She drew him gently down to
an arm-chair beside the divan, and herself sank orientally into its
pillows. “I thought I had exhausted all the emotions of life. At _my_
age—is it not a tragedy? But I was mistaken. It is true that I had tried
philosophy, marriage, mathematics, divorce, sculpture and love; but I
had never attempted the stage. How long it sometimes takes to discover
one’s real vocation! No doubt you may have gone through the same
uncertainties yourself. At any rate, my gift for the drama did not
reveal itself till three months ago, and I have only just completed my
play, ‘The Scarlet Cataract,’ a picture of my life, as the title
suggests—and which, my friends tell me, is not without dramatic merit.
In fact, if I were to listen to them....”
The Professor struggled from his seat. His old fear of her madness had
returned. He began very mildly: “It is quite natural that you should
mistake me for some one else—”
Public-domain text, read in full here on John Shaqi.
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