American fiction -- 20th century; Short stories, American
With an inimitable gesture she waved the interruption aside. “But what I
want to explain is that, of course, the leading rôle can have but one
interpreter—Myself. The things happened to _Me_: who else could possibly
know how to act them? Therefore, if I appeal to you—on my knees,
Illustrious Impresario!—it is in my double character as dramatist and
tragédienne; for in spite of appearances my life _has_ been a tragedy,
as you will acknowledge if you will let me outline its principal events
in a few words....”
But here she had to pause a second for breath, and the Professor, on his
feet, actually shouted his protest. “Madam, I cannot let you go on
another moment, first because I’ve heard the story of your life already,
and secondly because I’m not the man you suppose.”
The Princess turned deadly pale. “Impostor!” she hissed, and reached for
an embroidered bell-rope.
Her agitation had the curious effect of calming the Professor. “You had
better not send me away,” he said, “till you learn why I am here. I am
the unhappy man to whom, the day before yesterday, you entrusted a
hundred franc note which you asked him to stake for you at Monte Carlo.
Unfortunately I could not recall your name or address, and I have been
hunting for you through all the dressmakers’ establishments in Cannes.”
The instant lighting-up of her face was a sight so lovely that he almost
forgot his apprehensions and his shame.
“The dressmakers’ shops? Ah—in search of ‘Betsy’! It is true, I was
obliged to act as a _mannequin_ for one day; but since then my fortunes
have miraculously changed—changed thanks to you; for now,” the Princess
continued with enthusiasm, “I do at last recognise my good angel, my
benefactor of the other day, and ask myself how I could have failed to
know you again, how I could have taken you for a vulgar theatrical
manager, you, a man of genius and a Philosopher. Can you ever forgive
me? For I owe you everything—everything—everything!” she sobbed out,
again almost at his knees.
His self-possession continued to increase in proportion to her
agitation. He actually risked laying a hand on her arm and pressing her
mildly back among her cushions.
“Only a change of pronouns,” he said sighing, “is necessary to the
complete accuracy of your last statement.”
But she was off again on a new tack. “That blessed hundred franc note!
From the moment when you took it from me, as I got out of the train, my
luck miraculously and completely changed. I knew you were going to win
some money for me; but how could I have imagined the extent of the
fortune you were to heap at my feet?”
Public-domain text, read in full here on John Shaqi.
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