American fiction -- 20th century; Short stories, American
The one person in the village who could remember his coming to
Harpledon, and opening and repairing the old Cranch house (for his
family had been India merchants when Harpledon was a thriving
sea-port)—the only person who went back far enough to antedate Waldo
Cranch was an aunt of mine, old Miss Lucilla Selwick, who lived in the
Selwick house, itself a stout relic of India merchant days, and who had
been sitting at the same window, watching the main street of Harpledon,
for seventy years and more to my knowledge. But unfortunately the long
range of Aunt Lucilla’s memory often made it hit rather wide of the
mark. She remembered heaps and heaps of far-off things; but she almost
always remembered them wrongly. For instance, she used to say: “Poor
Polly Everitt! How well I remember her, coming up from the beach one day
screaming, and saying she’d seen her husband drowning before her
eyes”—whereas every one knew that Mrs. Everitt was on a picnic when her
husband was drowned at the other end of the world, and that no ghostly
premonition of her loss had reached her. And whenever Aunt Lucilla
mentioned Mr. Cranch’s coming to live at Harpledon she used to say:
“Dear me, I can see him now, driving by on that rainy afternoon in Denny
Brine’s old carry-all, with a great pile of bags and bundles, and on top
of them a black and white hobby-horse with a real mane—the very
handsomest hobby-horse I ever saw.” No persuasion could induce her to
dissociate the image of this prodigious toy from her first sight of
Waldo Cranch, most incurable of bachelors, and least concerned with the
amusing of other people’s children, even those of his best friends. In
this case, to be sure, her power of evocation had a certain success.
Some one told Cranch—Mrs. Durant I think it must have been—and I can
still hear his hearty laugh.
“What could it have been that she saw?” Mrs. Durant questioned; and he
responded gaily: “Why not simply the symbol of my numerous tastes?”
Which—as Cranch painted and gardened and made music (even composed
it)—seemed so happy an explanation that for long afterward the Cranch
house was known to us as Hobby-Horse Hall.
Public-domain text, read in full here on John Shaqi.
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