American fiction -- 20th century; Short stories, American
It would have been different, he felt at once, if Mrs. Morland had lived
long enough to marry the man she loved; then the dead and the living
woman would have faced each other on an equality. But Mrs. Morland, to
secure her two brief years of happiness, had had to defy conventions and
endure affronts. When, breaking away from the unhappy conditions of her
married life, she had at last won London and freedom, it was only to
learn that the Reverend Ambrose Morland, informed of her desire to
remarry, and of his indisputable right to divorce her, found himself, on
religious grounds, unable to set her free. From this situation she
sought no sensational escape. Perhaps because the man she loved was
younger than herself, she chose to make no open claim on him, to place
no lien on his future; she simply let it be known to their few nearest
friends that he and she belonged to each other as completely as a man
and woman of active minds and complex interests can ever belong to each
other when such life as they live together must be lived in secret. To a
woman like Mrs. Morland the situation could not be other than difficult
and unsatisfying. If her personal distinction saved her from social
slights it could not save her from social subserviences. Never once, in
the short course of her love-history, had she been able to declare her
happiness openly, or to let it reveal itself in her conduct; and it
seemed, as one considered her case, small solace to remember that some
of her most moving verse was the expression of that very privation.
At last her husband’s death had freed her, and her coming marriage to
Donald Paul been announced; but her own health had already failed, and a
few weeks later she too was dead, and Donald Paul lost in the crowd
about her grave, behind the Morland relations who, rather generously as
people thought, came up from Staffordshire for the funeral of the woman
who had brought scandal and glory to their name.
So, tragically and inarticulately, Emily Morland’s life had gone out;
and now, in the house where she and her lover had spent their short
secret hours, on the very table at which she had sat and imperishably
written down her love, he had put the portrait of the other woman, her
successor; the woman to whom had been given the one great thing she had
lacked....
Public-domain text, read in full here on John Shaqi.
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