American fiction -- 20th century; Short stories, American
So far Lady Brankhurst had been satisfying, as she always was when she
trod on solid fact. But she never knew anything about her friends except
what had happened to them, and when questioned as to what Mrs. Fingall
was really like she became vague and slightly irritable.
“Oh, well, he transformed her, of course: for one thing he made her do
her hair differently. Imagine; she used to puff it out over her
forehead! And when we went to the studio she was always dressed in the
most marvellous Eastern things. Fingall drank cups and cups of Turkish
coffee, and she learned to make it herself—it _is_ better, of course,
but so messy to make! The studio was full of Siamese cats. It was
somewhere over near the Luxembourg—very picturesque, but one _did_ smell
the drains. I used always to take my salts with me; and the stairs were
pitch-black.” That was all.
But from her very omissions French had constructed the vision of
something too fine and imponderable not to escape Lady Brankhurst, and
had rejoiced in the thought that, of what must have been the most
complete of blisses, hardly anything was exposed to crude comment but
the stairs which led to it.
Of Donald Paul he had been able to learn even less, though Lady
Brankhurst had so many more facts to give. Donald Paul’s life lay open
for everybody in London to read. He had been first a “dear boy,” with a
large and eminently respectable family connection, and then a not
especially rising young barrister, who occupied his briefless leisure by
occasionally writing things for the reviews. He had written an article
about Mrs. Morland, and when, soon afterward, he happened to meet her,
he had suddenly realized that he hadn’t understood her poetry in the
least, and had told her so and written another article—under her
guidance, the malicious whispered, and boundlessly enthusiastic, of
course; people said it was that which had made her fall in love with
him. But Lady Brankhurst thought it was more likely to have been his
looks—with which French, on general principles, was inclined to agree.
“What sort of looks?” he asked. “Oh, like an old picture, you know”; and
at that shadowy stage of development the image of Donald Paul had hung.
French, in spite of an extensive search, had not even been able to find
out where the fateful articles on Mrs. Morland’s verse had been
published; and light on that point was one of the many lesser results he
now hoped for.
Meanwhile, settled in his chair on deck, he was so busy elaborating his
own picture of the couple he was hastening to that he hardly noticed the
slim figure of a traveller with a sallow keen face and small dark beard
who hovered near, as if for recognition.
“André Jolyesse—you don’t remember me?” the gentleman at length reminded
him in beautifully correct English; and French woke to the fact that it
was of course Jolyesse, the eminent international portrait painter,
whose expensively gloved hand he was shaking.
Public-domain text, read in full here on John Shaqi.
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