Here and There in LondonRitchie, J. Ewing (James Ewing)
General
Here and There in London
Ritchie, J. Ewing (James Ewing)
London (England) -- Description and travel
Were they followed by gentlemen of Hebrew extraction, with
those mysterious little slips of paper which contain letters of such
magic power, they could not walk faster. As you listen, utterances of
doubtful and dire import fall from their lips. “Palmerston is up,” says
one. You are alarmed; you think the bottle-holder is in a rage, and you
tremble for the consequences. Again you hear, “Lord John is down;” you
are distressed at the intelligence, the old champion of civil and
religious liberty you hoped would long have been preserved from such a
catastrophe. The gentlemen around you, however, listen to such
statements with the coolness of stoics, paying little or no regard to
such announcements. One says to another, “When are you on?” another
demands of his friend, whether he is off; another says he comes on at
nine. You are puzzled to know what manner of men you are amongst. They
are not strangers fresh from the country—they have too pale and town-like
a look for that; they are not members—because members feast in another
part of the house. You will soon see what they are! you leave that room
and enter another, in which are a few well-dressed personages
transcribing hurriedly, as if for life. The truth flashes upon you.
“These men are the reporters,” you exclaim. For once, my good sir, you
are right; and if you go through that glass-door you will find yourself
in the REPORTERS’ GALLERY.
We will suppose that for this time only the doorkeeper has relaxed his
usual vigilance, and you have managed to effect an entrance. There is as
much difficulty in getting a stranger into the Reporters’ Gallery as in
getting Baron Rothschild into the House. As the gallery will not hold
more than thirty, it is quite right this should be the case. On the back
seats the reporters are sitting idle—some criticising the speakers in a
manner anything but complimentary—some sleeping—some reading a quarterly;
but on the front seat you see some dozen or thirteen, each in a little
box to himself, busily engaged. If the speaker be a great gun, the
reporter puts forward his utmost energies and takes down every word—if he
be one of the illustrious obscure the task is less difficult, and a
patient public is saved the painful duty of reading the _ipsissima verba_
of Smith or Brown. Beside the reporter, in some cases, sits another
gentleman, who has, comparatively speaking, an easier office to perform.
He is the gentleman that does the parliamentary summary to which you
instinctively turn, instead of wading through the eight or nine columns
that give the debate itself. I believe the summary writer in the gallery
remains all night, while the reporters take their turns, which last on an
average half an hour. Thus, no sooner has a reporter been at his post
for that time, than he leaves the house and rushes up to the office to
copy out his notes; this may take him an hour. He then returns, and is
ready to go on again when he is due.
Public-domain text, read in full here on John Shaqi.
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