Here and There in LondonRitchie, J. Ewing (James Ewing)
General
Here and There in London
Ritchie, J. Ewing (James Ewing)
London (England) -- Description and travel
keeps the pit in a roar, especially when he directs his wit to the three
musicians who form the orchestra, and says ironically to one of them,
“You could not drink a quartern of gin, could you?” and the way in which
the allusion was received evidently implied that the enlightened but
juvenile audience around me evidently had a very low opinion of a man who
could not toss off his quartern of gin. Then we had the everlasting
niggers, with the bones, and curiously-wrought long coats, and doubtful
dialect, and perpetual laughter, which the excited pit copiously
rewarded. One boy tossed a button on the stage, another a copper, and
another an apple; and so pleasing was this liberality to the supposed
young men of African descent, that they did not think it beneath them, or
inconsistent with their dignity as professionals, to encourage it in
every possible way. And well they might. Those gay blacks very likely
had little white faces at home dependent on the liberality of the house
for next day’s crust. But the treat of the evening was a screaming
farce, in one act, in which the old tale of “Taming the Shrew” was set
forth in the most approved Shoreditch fashion. A husband comes upon the
stage, whose wife—I would not be ungallant, but conscientious regard to
truth compels me sorrowfully to declare—is an unmitigated shrew. She
lords it over her husband as no good woman ever did or wishes to do. The
poor man obeys till he can stand it no longer. At length all his manhood
is aroused. Armed with what he calls a persuader—a cudgel of most
formidable pretensions—he astonishes his wife with his unexpected
resistance. She tries to regain the mastery, but in vain; and great is
the delight of all as the husband, holding his formidable instrument over
his cowed and trembling wife, compels her to obey his every word. All
the unwashed little urchins around me were furious with delight. There
was no need for the husband to tell the audience, as he did, as the moral
of the piece, that the best remedy for a bad wife was to get such another
cudgel for her as that he held in his hand. It was quite clear the
little Britons around me had resolved how they would act; and I fear, as
they passed out to the number of about 200, few of them did not resolve,
as soon as they had the chance, to drink their quartern of gin and to
whop their wives.
Public-domain text, read in full here on John Shaqi.
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