England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'I mean, you don't seem to have lived out pretty little bits, as I have.
You have walked every day over that common and down those long white
sunny roads, where there is nothing to imagine, unless one stares up at
the clouds--just clouds and dust and wheel-ruts. You have never gone
through a forest by moonlight, as I have, and stopped at a little
rickety inn, with a dozen _Jäger_ drinking _lager-bier_ under the
linden-trees, and the peasants dancing in their _sabots_ on a strip of
lawn. You have never----' continued Polly breathlessly; but Mildred
interrupted her.
'Stop, Polly; I love your reminiscences; but I want to ask you a
question. Is that all you saw in our walk to-day--clouds and dust and
wheel-ruts?'
'I saw a hand-organ and a lazy monkey, and a brass band, driving me
frantic. It made me feel--oh, I can't tell you how I felt,' returned
Polly, with a grimace, and putting up her hands to her delicate little
ears.
'The music was bad, certainly; but I found plenty to admire in our
walk.'
Polly opened her eyes. 'You are not serious, Aunt Milly.'
'Let me see: we went across the common, and then on. My pictures are
very humble ones, Polly; but I framed at least half-a-dozen for my
evening's refreshment.'
Polly drew herself up a little scornfully. 'I don't admire monkeys, Aunt
Milly.'
'What sort of eyes have you, child?' replied Mildred, who had recovered
her cheerfulness. 'Do you mean that you did not see that old blind man
with the white beard, and, evidently, his little grand-daughter, at his
knees, just before we crossed the common?'
'Yes; I noticed she was a pretty child,' returned Polly, with reluctant
candour.
'She and her blue hood and tippet, and the great yellow mongrel dog at
her feet, made a pretty little sketch, all by themselves; and then, when
we went on a little farther, there was the old gipsy-woman, with a
handsome young ne'er-do-weel of a boy. Let me tell you, Polly, Mr.
Fabian would have made something of his brown skin and rags. Oh, what
rags!'
'She was a horrid old woman,' put in Polly, rather crossly.
'Granted; but, with a clump of fir-trees behind her, and a bit of
sunset-clouds, she made up a striking picture. After that we came on a
flock of sheep. One of them had got caught in a furze-bush, and was
bleating terribly. We stood looking at it for full a minute before the
navvy kindly rescued it.'
'I was sorry for the poor animal, of course. But, Aunt Milly, I don't
call that much of a picture.'
'Nevertheless, it reminded me of the one that hangs in my room. To my
thinking it was highly suggestive; all the more, that it was an old
sheep, and had such a foolish, confiding face. We are never too old to
go astray,' continued Mildred, dreamily.
'Three pictures, at least we have finished now,' asked Polly,
impatiently.
Public-domain text, read in full here on John Shaqi.
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