England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'I cannot be expected to remember you both,' she said, as Olive timidly,
and Christine rather coldly, returned her kiss. 'You were such little
girls when I last saw you.'
But with Mildred's tone of benevolence there mingled a little dismay.
Betha's girls were decidedly odd.
Olive, who was a year older than Polly, and who was quite a head taller,
had just gained the thin ungainly age, when to the eyes of anxious
guardians the extremities appear in the light of afflictive
dispensations; and premature old age is symbolised by the rounded and
stooping shoulders, and sunken chest; the age of trodden-down heels and
ragged finger-ends, when the glory of the woman, as St. Paul calls it,
instead of being coiled into smooth knots, or swept round in faultless
plaits, of coroneted beauty, presents a vista of frayed ends and
multitudinous hair-pins. Olive's loosely-dropping hair and dark cloudy
face gave Mildred a shock; the girl was plain too, though the irregular
features beamed at times with a look of intelligence. Christine, who was
two years younger, and much better-looking, in spite of a rough,
yellowish mane, had an odd, original face, a pert nose, argumentative
chin, and restless dark eyes, which already looked critically at persons
and things. 'Contradiction Chriss,' as the boys called her, was
certainly a character in her way.
'Are you tired, aunt? Will you come in?' asked Olive, in a low voice,
turning a dull sort of red as she spoke. 'Cardie thinks you are, and
supper is ready, and----'
'I am very tired, dear, and so is Polly,' answered Mildred, cheerfully,
as she followed Olive across the dimly-lighted hall, with its
old-fashioned fireplace and settles; its tables piled up with coats and
hats, which had found their way to the harmonium too.
They went up the low, broad staircase Mildred remembered so well, with
its carved balustrades and pretty red and white drugget, and the great
blue China jars in the window recesses.
The study door stood open, and Mildred had a glimpse of the high-backed
chair, and table littered over with papers, before she began ascending
again, and came out into the low-ceiled passage, with deep-set lattice
windows looking on the court and churchyard.
'Chrissy and I sleep here,' explained Olive, panting slightly from
nervousness, as Mildred looked inquiringly at her. 'We thought--at least
Cardie thought--this little room next to us would do for Miss Ellison.'
Polly peeped in delightedly. It was small, but cosy, with a
curiously-shaped bedstead--the head having a resemblance to a Latin
cross, with three pegs covered with white dimity. The room was neatly
arranged--a decided contrast to the one they had just passed; and there
was even an effort at decoration, for the black bars of the grate were
entwined with sprays of honesty--the shining, pearly leaves grouped also
in a tall red jar, on the mantelpiece.
'That is a pretty idea. Was it yours, Olive?'
Public-domain text, read in full here on John Shaqi.
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