Eccentrics and eccentricities -- Fiction; Women -- Fiction
“I hope you are by now as curious as I was to discover the secret of the
Pennistan quality. The family were evidently unconscious that there was
any secret to discover. They thought no more of themselves than they did
of their blue surrounding hills, though in relation to the weather they
considered their blue hills a good deal, and Amos taught me one evening
that too great a clearness was not to be desired; the row of poplars
over towards Penshurst should be slightly obscured, misty; and if it was
so, and if the haze hung over Crowborough Beacon, I might safely leave
the yearling calves out in the field all night. I should look also for a
heavy dew upon the ground, which would predict a fine day besides
bringing out the mushrooms.
“We were standing in the cross-roads, where the white finger-post said,
‘Edenbridge, Leigh, Cowden,’ and Amos had corrected my pronunciation
from Lee to Lye, and from _Cow_den to Cow_den_. I know no greater joy
than returning to the heart of a beloved country by road, and seeing the
names on the finger-posts change from the unfamiliar to the familiar,
passing through stages of acquaintance to friendship, and from
friendship into intimacy. Half the secret of love lies in intimacy,
whereby love gains in tenderness what it loses in mystery, and is not
the poorer by the bargain.
“Mrs. Pennistan came out to join us, and I took the opportunity of
asking her whether I might use a certain cupboard for my clothes, as I
was pressed for room. She replied,—
“‘Granny had that cupboard, but she’s surely past using it now, so
anything of hers you find in it, hang out over the bannister, and I’ll
pack it away in a box.’
“Out of this little material circumstance I obtained my explanation; I
went in, leaving husband and wife strolling in the road, for it was
Sunday evening, and on their Sunday evening they clung to their hour of
leisure. I went in, past the chestnuts, up the stairs, and at the top of
the stairs I opened the cupboard door, and explored with my hand to
discover whether the recess was empty. It was not, so I fetched my
candle in its blue tin candlestick, and lifted out the garments one by
one; they were three in number.
“I carried them carefully into my room, with no intention of examining
them, but as I laid them on the bed their texture and fashion arrested
me. A smell came from them, faded and far away. I held them up one by
one: a heavily fringed shawl of Spanish make, a black skirt with many
flounces, a tiny satin bodice that would barely, I thought, fit a child.
As I unrolled this last, something fell from it: a pair of old, pink
shoes, tiny shoes, heelless shoes,—the shoes of a ballet dancer.
“As I turned over these relics I heard some one moving in the passage
below, and going to the top of the stairs I called to Ruth. She came up,
then seeing the shoes in my hands she gave an exclamation of surprise.
“‘Are these yours?’ I asked.
Public-domain text, read in full here on John Shaqi.
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