Eccentrics and eccentricities -- Fiction; Women -- Fiction
“I have seen that dim yard myself,” said Malory, “chaotic with lashings
and tramplings, and pawings and snortings, and the vast animals butt
against the woodwork, and their huge forms move confusedly in the
limited space. Like Pennistan, I would not care to chance my skin.
Concha, who being a Spaniard was bred up to violence, was even a little
frightened, ‘clung to me,’ said the diary, ‘and besought me not to leave
her. We saw the bulls in their cells from above, by the light of
torches. These brands may be thrust down to burn and singe and further
enrage the beast,’ but Oliver Pennistan, who had been nurtured on this
mild farm among pampered and kindly kine, did not like the sport, so
turned away with Concha on his arm and passed through a door into the
upper gallery of the arena.
“The vast circle seemed yet vaster by reason of its emptiness. Its ten
thousand seats curved round in tiers and tiers and tiers, a gigantic
funnel, open to the sky in which sailed a full and placid moon. The
arena, ready raked and scattered with whitish sand, gleamed palely
below, as if it had been the reflection of the heavenly moon in a pool
of water. The great place lay in haunted silence.
“It was here, sitting in a box, that they came to their final agreement.
The diary naturally giving me no hint of the words that passed between
them, I had to be content with a laconic entry some few days later:
‘Married this morning at the church of S. Pedro.’ I sat on in my room
wondering what Oliver Pennistan had made of that surrendered, inviolate
soul, the no doubt rather stupid and affected soldier, the scion of
English yeomen; I wonder what he made of his wildling, sprung as she was
from God knows what parentage; the Moorish Empire and the Holy Land had
both surely gone to her making. They roamed Spain together for their
honeymoon, and I accompanied them in spirit, seeing her dance, not in
public places only, but in their room, for his eyes alone, his hungry
love her sweetest applause; dancing in her little shift, and teaching
his clumsy hands to clap and his lips to cry ‘Olé!’ I wonder too what
the mountebanks of the trade thought of Concha’s husband, who sat
through her performance in the hot, boarded theatres of Spanish
provincial towns, and would allow no other man near his wife, and who,
when one evening she for pure mischief eluded him, only grieved in
silence and thought her love was going from him. I wonder most of all
what Concha thought of him, his staid insularity, his perpetual talk of
home, and his unassailable prejudices?
Public-domain text, read in full here on John Shaqi.
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