Eccentrics and eccentricities -- Fiction; Women -- Fiction
“‘I don’t dissuade you,’ I said. ‘Dymock must recover, and if you and
your cousin love one another....’
“Westmacott broke in bitterly,—
“‘Say! You seem to have missed the point....’
“‘Rawdon!’ Ruth spoke with a passion I, even I, had not foreseen.
‘Rawdon, I forbid you to say another word.’
“He grumbled to himself, and was silent.
“I looked at her during the pause in which she waited threateningly for
signs of rebellion on his part, and I found in her face, lit by the
light of the Hunter’s moon, the strangest conflict that ever I saw on a
woman’s face before. I read there distress, soul-shattering and
terrible, but I also read a determination which I knew no argument could
weaken. She was unaware of my scrutiny, for her eyes were bent on
Westmacott. Her glance was imperious; she knew herself to be the coveted
woman for whose possession he must fawn and cringe; she knew that
to-night she could command, if for ever after she would have to obey. I
read this knowledge, and I read her distress, but above all I read
recklessness, a wild defiance, which alarmed me.
“‘I’ve said what I want to say,’ she added. ‘You’ve thought me a meek
woman, Mr. Malory, you’ve told me so, and so I am, but I seem to have
come to a fence across my meekness, and I know neither you nor any soul
on earth could hold me back. It’s never come to me before like this.
Maybe it’ll never come again. Maybe you’ve helped me to it. There’s much
I don’t know, much I can’t say ...’ her ignorant spirit struggled vainly
for speech. I was silent, for I knew that elemental forces were loose
like monstrous bats in the shed which contained us.
“‘Am I to say good-bye?’ I asked.
“She swayed over towards me, as though the strength of her body were
infinitely inferior to the strength of her will. She put her hands on my
shoulders and turned me, so that the light of the yellow moon fell on my
face.
“She said then,—
“‘Kiss me once before I go.’
“Rawdon started forward.
“‘No, damn him!’
“She laughed.
“‘Don’t be a fool, Rawdon, you’ll have me all your life.’
“I kissed her like a brother.
“‘Bless you, my dear, may you be happy. I don’t know if you’re wise, but
I dare say this is inevitable, and things are not very real to-night.’
“There was indeed something absurdly theatrical about the shed full of
uneasily shifting cattle, and that great saffron moon—shining, too, on
the empty arena of Cadiz.
“I left them standing in the shed, and got into the house by the back
door; with methodical precision I replaced the key under the mat where,
country-like, it always lived.”
I felt in my own mind that much remained which had not been
satisfactorily explained, but when Malory resumed after a moment’s
pause, it was to say,—
Public-domain text, read in full here on John Shaqi.
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