Eccentrics and eccentricities -- Fiction; Women -- Fiction
The unexpected had favoured me in one particular. Malory had mentioned
that the old woman was ninety-six in the year he had gone to
Pennistans’, and although he had never, so far as I remembered, given a
date to that year, I reckoned that she must, if alive now, have passed
her century. I was certain I should find her gone. Yet the first thing I
saw as I entered the house was that little old huddled figure by the
fire, head nodding, hands trembling, alive enough to feed and breathe,
but not alive enough for anything else; she spent all her days in a
wheeled chair, sometimes in the kitchen, sometimes in her own room, the
quondam parlour, on the ground-floor across the passage; sometimes, when
it was very warm, beside the garden-door out in the sun. She must always
have been tiny, but now the frailty of her shrunken form was pitiable.
Her wrists were like the legs of a chicken. Her jaws were fallen in,
thin and flabby; her eyes never seemed to blink, but stared straight in
front of her, at nothing, through everything....
I had Malory’s bedroom. It was bare, whitewashed, monastic, and appeared
to me peculiarly suitable as a shrine to his personality. I wondered
whether he had spent any part of his wandering life in the seclusion of
a cloister, and as I wondered the realisation came over me that Malory
was in spirit nearly allied to those mediæval scholars, so unassuming,
so far removed from the desire of fame, as to dedicate their anonymous
lives to a single script, finding in their own inward satisfaction the
fulfilment of personal ambition. And as I thought on Malory, in that
clean, bare room, I came to a closer understanding of his kinship with
many conditions of men, of his sympathy with life, nature, and
craft—Malory, the man who had not been my friend.
As the week passed, I found myself greatly moved by the prospect of
seeing, of speaking with Ruth. As I drew near to Westmacotts’, I felt
the physical tingling of intense excitement run over me. I was about to
meet a dear companion, to hear the sound of her voice, and to look into
the familiarity of her eyes. Another picture swam up out of the mist to
dim my vision, a babbling music filled my ears like the sound of waves
in a shell, and the faintest scent quivered under my nostrils; gradually
as these ghosts emerged from the confusion I defined the Italian
hill-side, the rushing stream, and the dry, aromatic scent of the
ground. Was this, then, the setting in which Ruth walked and spoke for
me? I was startled at the vividness of the impression, and at the
incredibly subtle complexity of the ordinary brain.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account