"_Mein Gott!_ don't look at the matter in such a terribly tragical way.
Broken hearts, dying in sacrifice to unhappy love, may be very
effective and touching in novels, but don't exist in actual life, and
such a simple girl as your _fiancee_, is not likely to fall a victim to
this romantic martyrdom. Of course the loss of her _braeutigam_[1] will
cost her some tears, but she will get over it, and a year and a day
after will marry some respectable Buerger and Councillor of B., who will
suit her much better, and make her much happier than you would ever be
able to do."
"I wish you would be quiet, Hermann!" cried Eugen violently. "You don't
know Gertrud, and for that reason you are always unjust to her."
"That may be. I have, as you know, a decided antipathy to everything
narrow and _buergerlich_,[2] and when it stands in the way of a man's
career, and drags him down into the lowest sphere of life, I simply
hate it!"
Eugen had no reply ready for these decided words. He sprang up, went to
the window, and pressing his brow against the glass, looked out on the
park, which lay before him in the dewy freshness of a June morning. The
sun shone warmly into the ancient pavilion, with its half obliterated
frescoes on walls and roof, on the gilded, richly carved furniture,
with its faded figured damask of the last century; and lighted up
brightly the figures of the two young men seated there. The one who
leaned against the window had a tall, slender figure, and a face,
which, without being regularly beautiful, was yet singularly attractive
at first sight. There was a mighty charm in these features, a world of
passion and dreaminess in the dark eyes, and cloudy brows, and the
inward conflict which was now shown plainly enough in his countenance,
gave a still deeper interest to this artistic head, with its wealth of
dark hair.
His companion possessed little or none of these fascinating
attractions. He was smaller, but more powerfully built, with irregular
features, which would have made him decidedly plain, but for the high,
finely moulded brow, which gave a remarkable and peculiar character to
the whole countenance. His keen grey eyes, almost too keen for a man of
four-and-twenty, looked out calmly and clearly from beneath it, and
seemed in keeping with the sharply defined lines round the mouth, a
feature full of energy and decision, but cold and bitter in expression,
robbing the countenance of all youthfulness, and making it at some
moments almost repulsive. The young man spoke calmly, leaning back at
his ease in the arm chair, and contemplating his agitated friend with
almost indifference, but in spite of his calmness and indifferent mien,
there was an air of unconscious nobility in his bearing, a decided
superiority, which was wanting in Eugen, who, leaning gracefully
against the window, dreamily contemplating the clouds, was certainly
interesting, but perhaps a little theatrical in appearance.
Public-domain text, read in full here on John Shaqi.
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