So saying, he offered his arm with cool politeness, and led her back to
the ball-room. The waltz was not yet finished as they entered; Graefin
Antonie floated past them in the full light of the wax tapers, moving
in time to the lively music, with Eugen as her partner--and in the
distance died away the last note of the post horn!
CHAPTER V.
Seven years had passed by, altering many things, and burying away and
blotting out others, and, as often happens in life, so also here the
reality had been very, very different from the hopes and expectations
of mankind.
Of the artistic fame of Eugen Reinert one heard little or nothing.
Certainly his first great work, the portrait of Countess Arnau, which
was exhibited publicly, created much stir, and justified the highest
hopes for the future. But with this picture, which certainly bore the
stamp of originality, and created a name for him in the artistic world,
he appeared to have exhausted his best powers. He still painted
portraits, though exclusively of those who belonged to aristocratic
circles, the _entree_ of which he had obtained through his wife, and in
these his work was always considered as full of genius, but real art
critics did not think much of them, and they were little noticed by the
public.
Eugen's principal fault, want of energy and perseverance, became more
and more perceptible as time went on. He fluctuated continually between
different studies of all sorts, tried everything and finished nothing,
sketched out the most ambitious plans, but carried none into execution,
and wasted his great talent upon the distinguished, but often
uninteresting faces of counts and "excellencies," and the albums of
aristocratic ladies. Since good fortune had thrown the gifts into his
lap, without trouble on his part, which he had once hoped to obtain
through his art, his pleasure in it, and even his capabilities, seemed
to be exhausted. What reason had he for working still? The riches,
which his wife brought him, and the connections he was able to make
through these, as well as the splendidly appointed house supported
through them, secured all the enjoyments of life to him, as well as an
undisputed position in society, and when, in the course of a few years,
the title of "Von" was added to his name, "on account of his services
to art," the highest degree of earthly fame seemed to have been
attained.
Public-domain text, read in full here on John Shaqi.
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